Love on Tap

Quiet 10-year-old Zsofi has just changed schools. Feeling out of place at first, she is quickly admitted to the school’s famous choir and befriends her popular classmate Liza. Soon, they have to stand up united against their choir master, who isn’t quite the friendly and inspirational teacher they first thought she was.

In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.

The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.

MS-DOS demoscene short film that showcases computer animation and music.

Windows demoscene short film that showcases computer animation and music.

MS-DOS demoscene short film that showcases computer animation and music.

Shelter tells the story of Rin, a 17-year-old girl who lives her life inside of a futuristic simulation completely by herself in infinite, beautiful loneliness. Each day, Rin awakens in virtual reality and uses a tablet which controls the simulation to create a new, different, beautiful world for herself. Until one day, everything changes, and Rin comes to learn the true origins behind her life inside a simulation.

“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher

Buthaina and Saber both live in the "el eish wal el mal7" neighborhood, but when Buthaina starts working for Bahjat Bey, her simple life begins to change, and Saber is shocked by her sudden change in attitude toward him.

Sam, newly a mother, shops at a supermarket with her baby and husband Carlson. She throws a neighborhood shishkabob party and has a family Sunday breakfast. But through her smiles and picturesque tasks, there's a suppression. Sam’s grown something she can no longer contain. This breaking point is the film SWALLOWED, where psychological horror meets dance.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.