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Agora represents a rather chaotic and completely inaccurate historical biopic. Despite the commendable acting by Rachel Weisz and Oscar Isaac, the movie, which was created with a significant budget, strangely exudes an air of thriftiness typically associated with lower-budget productions. The storyline itself verges on the absurd, taking considerable liberties with historical facts by reshaping them and even conjuring entirely new occurrences. This departure from reality transforms the work from a scholarly biopic into a realm of pure fantasy. The library of Alexandria no longer existed during the time of Hypatia. Furthermore, the circumstances surrounding the destruction or closure of the Library of Alexandria remain shrouded in mystery. The precise cause, whether through fire or deliberate demolition, eludes us. Yet the film decides to come up with its own narrative as to how the library was destroyed. Additionally, the depiction of Christian riots in the film does not align with historical accuracy, a complete falsehood just to add drama and tension to an otherwise boring feature film. For a historical biopic, accuracy is important and this film fales miserably. Definitely do not watch this as an accurate representation of historical events.
Agora is a well-crafted film that manages to be both entertaining and educational. While the movie takes some creative liberties with the historical events, which is understandable given the gaps in recorded history, it does a great job of capturing the essence of the time. The writing feels solid, and despite some moments that might stretch historical accuracy, the story remains compelling and thought-provoking. The acting is another highlight. Rachel Weisz shines as Hypatia, bringing intelligence and grace to the role. Her portrayal makes Hypatia’s struggle with philosophy, reason, and the changing world around her deeply engaging. Most of the main cast delivered strong performances that added depth to the characters and their relationships. The directing is to the point, keeping the narrative focused on the tension between reason and dogma. The production design deserves credit too. It successfully recreates the feel of ancient Alexandria, immersing you in the historical setting. From the bustling streets to the grandeur of the Serapeum, it pulls you into the world of the film. Overall, Agora is a beautifully executed movie that is as educational as it is entertaining. It offers a glimpse into an important and tumultuous period of history while exploring timeless themes about knowledge, power, and humanity. Despite its fictionalized elements, it is a powerful film that is worth watching.
Following the death of his mother in '80s Poland, 12-year-old Wojciech has taken the brunt of his stressed father's frustrations with him; the boy frequently gets punished via belt. Wojciech's father occasionally tries to, instead, bond with him, but soon snaps back to his short-fused habits. Apart from Wojciech's friend Bartek, no one does anything to help. Jump to present day, Wojciech is a furrow-browed journalist who spends most of his spare time spelunking alone. Just like his father, he has serious anger management issues. Fellow caver Tania feels inexplicably attracted to him, but the love of a good woman may not be enough.
A love story offering an intimate look inside the marriage of Winston and Clementine Churchill during a particularly troubled, though little-known, moment in their lives.
He fought his first battle on the Scottish Highlands in 1536. He will fight his greatest battle on the streets of New York City in 1986. His name is Connor MacLeod. He is immortal.
In the year 2024, the ozone layer is believed to have been destroyed, and it's up to MacLeod and Ramirez to set things right. Opposition comes from both the planet Zeist (MacLeod and Ramirez's homeworld) and a corporation profiting from the supposed lack of ozone. Also, flashbacks show the story behind MacLeod and Ramirez's exile from Zeist.
Starts off in the 15th century, with Connor McLeod training with another immortal swordsman, the Japanese sorcerer Nakano. When an evil immortal named Kane kills the old wizard, the resulting battle leaves him buried in an underground cave. When Kane resurfaces in the 20th century to create havoc, it's up to McLeod to stop him.
Antoine Sforza, a thirty-year-old young man, left his village ten years before in order to start a new life in the big city, but now that his father, a traveling grocer, is in hospital after a stroke, he more or less reluctantly accepts to come back to replace him in his daily rounds.
Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.
Determined to hold on to the throne, Cleopatra seduces the Roman emperor Julius Caesar. When Caesar is murdered, she redirects her attentions to his general, Marc Antony, who vows to take power—but Caesar’s successor has other plans.
1941, Ukraine. A group of German soldiers occupy a small town populated exclusively by women and children of German descent, way behind enemy lines. There's tension from the beginning, that always threatens to erupt in violence from both sides.
Rebecca, an American who has been living in Jerusalem for a few months now, has just broken off her engagement. She gets into a cab driven by Hanna, an Israeli. But Hanna is on her way to Jordan, to the Free Zone, to pick up a large sum of money.
A thirty-something southern woman searches for love, despite the burdens she carries with her.