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Masterpiece of the Z grade fantasy genre. I'm serious as well, I mean don't get me wrong, if you haven't got a bent for this type of Z grade, creaky creature feature (why would you be watching is my first thought?) then it's most likely a rating of about 4 to 5 out of 10 tops, but to me it's a special kind of nonsense that takes me back to a nice time in my childhood. You know the kind, where the memories have never left you. Eagerly taking it all in with youthful wonderment as Doug McClure and Peter Cushing tunnel beneath the mantle to do battle with a host of creatures and sub-human species. And guys! Now we are all grown up we can admire most seriously at the wonder of Caroline Munro and her heaving cleavage. No wonder my older brother was keen to take me to the cinema to see this one! Yes the effects are bad, men in suits, strings pinging parrot monsters around and exploding rubber frog like thingies amuse us greatly. And yes, Cushing and a surprisingly pudgy McClure (wearing bell bottomed flared trousers) act as if they have truly been mesmerised by the evil Meyhas at the "core" of our film. But it matters not, zany and clunky and awash in glorious colour, At The Earth's Core is a throwback to a special pre ILM time when kids like me queued around the block to see such joyous nonsense. 8/10
_**So bad it’s… bad**_ A scientist and David Innes (Peter Cushing and Doug McClure) use the former’s awesome drill vehicle, the “Iron Mole,” to journey to the core of the planet where they discover the inner-world of Pellucidar. This prehistoric realm is run by giant telepathic flying reptiles, called Mahars, who are served by the ape-like Sagoth and enslave the primitive humans, including Dia (Caroline Munro) and Ra (Cy Grant). “At the Earth’s Core” (1976) was an Amicus production, a company that ended their low-budget output with three films based on Edgar Rice Burroughs’ books, all starring Doug McClure: “The Land that Time Forgot” (1975), this one, and “The People that Time Forgot” (1977). Despite their obvious modest budgets, I like those other two adventure flicks, especially the first one, but “At the Earth’s Core” is a huge let down and falls into ‘What were they thinking?’ bad. Cushing’s doddering campy character is the first negative sign, but when the protagonists encounter the telepathic flying reptiles it becomes godawful. I was hoping to roll with these faults and enjoy the comic book story, but it’s just not compelling and is marred by its set-bound limitations (the sets are reminiscent of something out of the original Star Trek TV series). The creators simply failed to translate the story from book to cinema. On the positive side, McClure is likable as the protagonist, so is Cy Grant, and Caroline Munro is stunning as the cavegirl, but she’s strapped with an outfit that fails to effectively take advantage of her figure. Thankfully, the production team fixed this flaw with Dana Gillespie’s more alluring costume in “The People that Time Forgot.” The movie runs 1 hour, 29 minutes and was shot at Pinewood Studios, just west of London, England. GRADE: C-/D+
Ok, this is just a daft Victorian action-adventure film with Doug McClure as the dashing explorer ably assisted by Peter Cushing (delivering a very similar style of performances as his "Doctor Who") as the boffin who designed the ultimate boring machine to travel to the innards of the planet. Once there, they encounter slaves ruled by a race of giant, angry looking, telepathic penguins. Based upon an Edgar Rice Burroughs fable, the effects are pretty dreadful and, indeed, so is the whole thing. It's isn't rubbish, though - and was a perfectly entertaining film for kids when I was 9!
An eclectic group of characters set sail on Captain Lansen’s leaky cargo ship in an attempt to escape their various troubles. When a violent storm strikes, the ship is swept into the Sargasso Sea and the passengers find themselves trapped on an island populated by man-eating seaweed, giant crabs and Spanish conquistadors who believe it’s still the 16th century.
A decade-long novel, "Three Ways to Survive in a Ruined World", gains one devoted reader, Kim Dok-ja. As reality mirrors the book's premise, Dok-ja's in-depth understanding becomes his key to survival.
Robert Neville is a scientist who was unable to stop the spread of the terrible virus that was incurable and man-made. Immune, Neville is now the last human survivor in what is left of New York City and perhaps the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone.
When her mother leaves town to visit a sick relative, Margaret's concern for her father grows. She does not know what he is working on in the basement and cannot figure out why his behavior has changed.
A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.
Fred Engel's father is murdered by Colonel Brinkley in order to acquire a treasure map, however the Colonel only acquires half of it, the other half as held by Mrs. Butler. Discovering the scene of the crime, Old Shatterhand and Winnetou help Fred bring his father's murderer to justice and locate the treasure of Silver Lake.
On a 19th century Caribbean island, slaves revolt against their beautiful and sadistic mistress.
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
A group of skeptical government officials headed by General Randolph are brought to a remote laboratory for a demonstration in "Psychic Materialization", a successful side effect of an experimental drug. But the project scientists had warned that not enough testing had been completed to access safety concerns. In a freak accident during the demonstration to the politicians, a vicious creature is created! Unable to contain the monster, it unleashes unbelievable havoc & destruction against mankind! Reproducing itself at an alarming rate, and all known weapons seemingly powerless against the creature, the scientists are gravely concerned for the survival of mankind!
The Nazis, exasperated at the number of escapes from their prison camps by a relatively small number of Allied prisoners, relocate them to a high-security 'escape-proof' camp to sit out the remainder of the war. Undaunted, the prisoners plan one of the most ambitious escape attempts of World War II. Based on a true story.
Three single women in a picturesque Rhode Island village have their wishes granted - at a cost - when a mysterious and flamboyant man arrives in their lives.