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Frankly, most horror films made in Tamil cinema have only ended up as unintentional comedies. Director Deekay seems to understand this and though Yaamirukka Bayamey is a haunted house story, he goes for laughs more than chills. This approach (a very wise one) is what sets his film apart from recent successful films in the genre like Kanchana and Pizza. It is classier than the former and lacks the visual flair of the latter; there is a ghost-looking-for-revenge angle as in Kanchana, and like Pizza, it has some haunted house spooks, but, the film manages to carve its own space as both these tropes are used to generate humour. The initial set-up is definitely tentative. We are introduced to Kiran ( Kreshna, who continues to pick interesting scripts), a schemer, and how he gets into trouble with a local dada Dorai by selling libido enhancement medicine. He comes to know about an ancestral property around the same time and goes to the hill station Kolliyur with his girlfriend Smitha ( Rupa Manjari), only to find that the property is a dilapidated mansion. On the advice of Sharath (Karuna), he refurbish his contact in the place, he refurbishes the place (with the money he windless from Dorai's son) and turns it into a lodge. Intriguingly, the guests who come to stay there start dying. What's the mystery behind the whole thing? Nothing is taken seriously (when every statement made by a character comes true, we don't see others getting shocked but the scene, instead cuts to a dream sequence) or allowed to get too serious (the flashback sequence on ghost), and it could very well have ended up as downright silly (the ghost makeup looks mostly like facial gone bad) but the film somehow manages to keep us amused. A large part of the credit should go to Karuna, who manages to make Sharath both ambivalent and funny. We expect a supernatural reason behind everyone exclaiming that Sharath looks familiar and what we get is a sly and funny explanation. On the other hand, both the heroines are clearly there for oomph. The horror genre's mandatory elements are all here — mansion in a lonely place, mysterious old man, mysticism, and even the quintessential dim lighting in the night scenes — but Deekay nicely subverts some of these cliches (we think we are getting the ghost's story during the flashback, but that isn't so). Also, he doesn't try to spoof the genre's tropes to elicit laughs but chooses to bring out the humour in other ways. It is this confidence that makes the film work.
When an orphaned Vietnamese girl is hired to be a housemaid at a haunted rubber plantation in 1953 French Indochina, she unexpectedly falls in love with the French landowner and awakens the vengeful ghost of his dead wife... who is out for blood.
A student and her photographer boyfriend visit an island off of Massachusetts to research a hotel supposedly haunted by a witch.
A recently released patient from a mental institution returns home with her sister, only to face disturbing events between her stepmother and the ghosts haunting their house; all of which are connected to a dark past in the family's history.
An escaped mental patient dies in 1984 at the home of her former doctor. But that was just the beginning.
After a car crash, criminal psychologist Dr. Miranda Grey regains consciousness only to find that she's a patient in the same mental institution that currently employs her. She's been accused of murdering her husband Dr. Douglas Grey —but she has no memory of committing the crime. As she tries to regain her memory and convince her co-worker, Dr. Pete Graham, of her innocence, a vengeful spirit uses her as an earthly pawn, which further convinces everyone of her guilt.
Pol returns to his hometown only to find out that Mam, the girl who he secretly loves, is being courted by a drunken foreigner, Bug Johnny. Together with Hot and the members of Kohk-E-Kueng drum band, Pol tries to ruin the wedding.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
It has been five years since Laura and Carmilla vanquished the apocalypse and Carmilla became a bonafide mortal human. They have settled in to a cozy apartment in downtown Toronto, Laura continues to hone her journalism skills while Carmilla adjusts to a non-vampire lifestyle. Their domestic bliss is suddenly ruptured when Carmilla begins to show signs of "re-vamping" – from a fondness for bloody treats to accidental biting – while Laura has started having bizarre, ghostly dreams. The couple must now enlist their old friends from Silas University to uncover the unknown supernatural threat and save humanity – including Carmilla's.
Dulhan Bani Daayan is a story that revolves around a haunted house. Any man who tries to take advantage of any woman by taking her to that haunted bungalow is murdered by the sprite. The watchman of that haunted bungalow enjoys on his part as he is paid the rent for the bungalow for one night stands. Few years ago, a newly married couple had come to stay in that bungalow. After a few days, the new groom forces the bride to shoot a blue film. When she refuses to do so, her in-laws and her husband murder the bride. It's said that her unsatisfied spirit cannot see any woman in a similar predicament which took away her life from her. Will her murderers be punished and her soul find respite?
A brother and sister move into an old seaside house that has been abandoned for many years on the Cornwellian coast. They soon discover that it is haunted by the ghost of the mother of their neighbor's granddaughter, with whom the brother has fallen in love.
After Marnie Watson kills her abusive husband in self-defense, she is condemned to house arrest... only to discover that the house is possessed by the enraged and violent spirit of her dead husband.