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Nisha Katonas Home Kitchen - (Mar 9th)
James Martins Saturday Morning - (Mar 9th)
The 1 Club - (Mar 9th)
Buried Hearts - (Mar 9th)
Match of the Day - (Mar 9th)
StuGo - (Mar 9th)
Portugal with Michael Portillo - (Mar 9th)
The Sunday Show with Jonathan Capehart - (Mar 8th)
The Beat with Ari Melber - (Mar 8th)
Saturday Kitchen Live - (Mar 8th)
Around the World in First Class - (Mar 8th)
Know Where to Hide - Wie niet weg is… - (Mar 8th)
SAKAMOTO DAYS - (Mar 8th)
Taskmaster - (Mar 8th)
The Weakest Link - (Mar 8th)
Britains Got Talent - (Mar 8th)
Alex Witt Reports - (Mar 8th)
Mafia- Most Wanted - (Mar 8th)
Would I Lie to You - (Mar 8th)
Crimewatch Live - (Mar 8th)
Could this be the original observational documentary? We begin as the audience flood into a cinema and settle down in front of the big screen. The cameraman then takes us on a tour of his city with no apparent rhyme nor reason to the imagery we see. There's a bit of the old Imperial opulence reflected in the architecture to contrast with the street beggars (whom the Soviet Union aways denied existed). A very near miss whilst trying to get some POV footage of a train. Then what feels rather pruriently like a look at a woman's morning levée all intercut cleverly using the camera shutter to deliver this in chapters as their city awakens and the trams start to run, the bustle sets in and the industry comes alive. The photography frequently captures the intricacy of different manufacturing processes - both with and without human input, the latter sometimes being quite labour intensive. People mill about like ants racing to and fro and the cameraman himself appears in shot now and again to add additional context to this remarkably captivating look at a day in the life of an huge variety of people and activities - including a wedding and funeral. What's quite astonishing is the quality of the film. It's almost pristine, almost a century after it was made, and there are even some very basic visual effects merging the images and creatively capturing the lives of the community. It's barely an hour long, but effectively combines pictures of the serious and professional as well as the mischievous and playful and it's well worth a gander.
On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.
Embarks on a journey that traces the life and work of Antonio Martorell, a prolific plastic and multi-disciplinary artist in Puerto Rico. This film is a dance between the director (Paloma Suau) and the portraitist while portraying each other. More than a documentary, this film is an experiment of a director trying to reconnect with her creative voice.
In 2020, unable to travel, Ico Costa left a small camera with Ailucha and Domy, two young Mozambicans from the city of Inhambane, and asked them to film their daily lives. The result: working, playing, walking, hanging around, smoking, listening to music, singing, dancing, feeling desire – being teenagers.
The explosion at Chernobyl was ten times worse than the Hiroshima bomb and was due to a combination of human error and imperfect technology. An account of the sixty critical minutes prior to the explosion of the nuclear power plant on the night of April 26, 1986.
A documentary film investigating the 1928 murder of a Pennsylvania farmer and the allegations of witchcraft that shocked the nation.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Arab-American filmmaker Yumna Al-Arashi embraces the rhythmic rituals that have run alongside Islamic tradition throughout the centuries in this surreal and poetic short film. Piecing together old and new, Al-Rashi's dream-like imagery breathes fresh air to a subject hardly seen in positive light.
An overview of the works of French film pioneers Louis and Auguste Lumière from 1895 to 1897.
