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Director SS Kumaran, known more for his music than for his directorial skills, seems to have one and only one purpose on his mind - entertain the audience with his film Kerala Naatilam Pengaludane. To his credit, he manages to do just that. Although the film has just a wafer-thin plot and logic takes a severe beating at quite a few places, Kumaran's victory lies in the fact that the film doesn't leave you bored, annoyed or frustrated at any given point. The director has three people to primarily thank for that. The first of the lot is Prof Gnanasambandam, who scores big with his performance as the dad of the hero in the film. The manner in which he portrays a man desperately wanting to be recognized as a Malayali, despite having not been able to wed a Keralite, is delightful. His sequences, including the one in which he religiously subscribes to Malayalam newspapers every month despite being unable to read a single word, contribute handsomely to the film's overall comedy content. The next is Kaali, who, as the hero's friend, is often found goofing up. What's more, Kaali willingly accepts punishments for his goof-ups.The third is Renuka, who as the hero's mother, comes up with yet another stellar performance. On the flip side, several developments go unexplained. For instance, the reason why Kaali is bashed up by a person at several points in the film is not explained at all. The climax too is abrupt and gives one the impression that the director is in a hurry to finish his story. As a viewer, you are left unconvinced about the way the climax progresses and ends. Technically, Kumaran is backed by some stunning visuals from Yuva. His music too is impressive and adds strength to the film.
A fun roller coaster ride about three young people, Aju, Divya and Kuttan who are cousins, reach Bangalore to dream, discover & explore!
It is based on Perumthachan of the Parayi Petta Panthirukulam, a legend in the Kerala folklore. The problems caused by the generation gap are explored through the relationship between a skilled carpenter and his tradition-breaking son.
A converted Muslim woman narrates her ordeal of how she once wanted to become a nurse but was abducted from her home and manipulated by religious vanguards and turned into an ISIS terrorist and landed in Afghanistan jail.
An evocative and unsettling journey through christian and also deeply communist Kerala. Amidst red flags and altar boys, between the sea and the jungle, mixing the language of reportage and that of fable, the unedited docufilm tells the touching, profound, at times funny stories of a group of priests and nuns in the days leading up to Easter.
A real life account of the deadly Nipah virus outbreak in Kerala, and the courageous fight put on by several individuals which helped to contain the epidemic.
Set in the second decade of the 20th century, this is a story of cinema entering villages of Kerala. The protagonist Diwakaran gets attracted to the new machine, bioscope, at an exhibition by Frenchman DuPont, who does bioscope shows on the coasts of Tamil Nadu.
Football in the Indian State of Kerala runs through the fabric of its society, where "football is life and life is football". The film brings you six unique stories that take you on a journey across the football crazy land of Kerala.
Set in southern India in the late 1930s, this provocative tale traces the story of three people caught in an inexorable web of forbidden romance and dangerous secrets. After a British spice planter falls in love with his alluring servant, an idealistic young man finds himself torn between his ambitions and his family, his village and his past.
Thankam follows the story of Muthu and Kannan, two gold agents from Thrissur, known as the gold capital of India. As they travel across Kerala and Tamil Nadu, delivering consignments of gold, their lives take a dark turn when a routine trip leads to unexpected complications.
