Black Diamond 2025 - Movies (Feb 7th)
Daytime Revolution 2024 - Movies (Feb 7th)
Flight Risk 2025 - Movies (Feb 7th)
Disco’s Revenge 2024 - Movies (Feb 7th)
The Coddling of the American Mind 2024 - Movies (Feb 6th)
Death Without Mercy 2024 - Movies (Feb 6th)
V/H/S/Beyond 2024 - Movies (Feb 6th)
Mafia Wars 2024 - Movies (Feb 5th)
Love Hurts 2025 - Movies (Feb 5th)
Cinderellas Revenge 2024 - Movies (Feb 5th)
Slide 2025 - Movies (Feb 5th)
Queer Planet 2024 - Movies (Feb 5th)
The Forge 2024 - Movies (Feb 4th)
Green and Gold 2025 - Movies (Feb 4th)
Grace Wins 2024 - Movies (Feb 4th)
Deadzone 2024 - Movies (Feb 4th)
The Distance Between Us 2024 - Movies (Feb 4th)
A European Christmas 2024 - Movies (Feb 4th)
Super Icyclone 2024 - Movies (Feb 4th)
The Perfect Mother 2024 - Movies (Feb 4th)
Thirsty for Likes 2024 - Movies (Feb 4th)
Live from the Other Side with Tyler Henry - (Feb 7th)
The Repair Shop on the Road - (Feb 7th)
Perfect Match - (Feb 7th)
Wizards Beyond Waverly Place - (Feb 7th)
Gutfeld - (Feb 7th)
Special Report with Bret Baier - (Feb 7th)
Outnumbered - (Feb 7th)
The Ingraham Angle - (Feb 7th)
The Five - (Feb 7th)
Reality of Wrestling - (Feb 7th)
Air Crash Investigation- Special Report - (Feb 7th)
After Midnight - (Feb 7th)
Taronga- Whos Who In The Zoo - (Feb 7th)
The Chase Australia - (Feb 7th)
The 11th Hour with Stephanie Ruhle - (Feb 7th)
Extreme Makeover- Home Edition - (Feb 7th)
Tribunal Justice - (Feb 7th)
TNA iMPACT - (Feb 7th)
Crime Nation - (Feb 7th)
Watch What Happens Live with Andy Cohen - (Feb 7th)
Gene Barry is "Donovan", a CIA agent sent to London to help uncover a cold war espionage ring. He is pretty much captured upon arrival, but luckily manages to quickly escape from his country house prison with the help of "Peter Langley" (Tom Adams) and together with the assistance of "Col. Redmayne" (Richard Todd) they embark on an investigation to find the spy! Most of this reminded me of an episode of "Bewitched" only it wasn't anyone's nose that was twitching. The production is cheap, the script woeful and the performances might legitimately be described as truly worthy of the occasional appearance from Joan Collins ("Anne") at her most glamorously sterile. The plot plods along with an inevitability to it that leaves no room for any suspense, and the fight scenes are so expertly choreographed as to be little more than gymnastics with tomato sauce. London in the late 1960s was a colourful, bustling city and the film at least manages to convey some of that vibrancy, but otherwise this is really just duff.