Kate Bornstein Is a Queer & Pleasant Danger

A set of seven portraits consisting of personal accounts from the lives of gays and lesbians. The narration includes stories about coming out, bashing, cross-dressing and AIDS.

Documenting the days and weeks preceding Boy George's appearance in a New York courtroom in June 2006 for cocaine possession and his subsequent sentencing to 5 days community service as a street cleaner by order of the US justice department.

The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

A review of the wild New York City nightlife of the 90s. The cast of characters who made up the infamous Club Kids speak candidly about that era, culminating with Alig's release from incarceration.

My Transparent Life chronicles the journey of one trans man, one trans woman and a trans couple as transition from the sex they were born with to the sex they identify with.

A varied history of gay people and Scotland.

Forbidden: Undocumented and Queer in Rural America is an award-winning 2016 documentary about Moises Serrano, who grew up queer and undocumented in Yadkinville, North Carolina.

An exploration of the Samoan faafafine, boys who are raised as girls, who fulfill a traditional role in Samoan culture. In the past they have shared women's traditional work but today are becoming more westernized and look more like drag queens. Several anthropologists comment on the phenomenon examining issues of culture and gender and the complexities of sexual identity.

Kyle Dean was a misfit in her North Carolina school. She was called "Creature" because she was a boy who knew she was a girl in part of the country where such things were not understood or tolerated. As soon as she could she left North Carolina for Hollywood where she felt that she'd stand more of a chance of becoming who she wanted to be. Now as Stacey she's going back to visit with with Mom and Pop.

At 18, George Ward left the Gypsy community. He had felt rejected having come out as gay. Leaving his Gypsy identity behind, he invented Cherry Valentine, a drag alter-ego. Now he wants to find out if he can be accepted as a queer Gypsy and feel proud.