War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
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Sally, we want you, we want you. There are times in a horror fans youth that a certain film will leave an impression that will be carried forward for ever more. In my case one such film is "Don't Be Afraid of the Dark". A cheaply made for TV picture starring Kim Darby, Jim Hutton and William Demarest. The plot on the surface is standard. Alex and Sally Farnham inherit a big old mansion from their deceased grandmother, it has a basement den room with a bricked up fireplace. Sally wants to unblock the fireplace but is advised by the family handyman that it should be left as it is. Naturally Sally goes ahead and has the fire opened up, and pretty soon she starts to hear voices and see what she thinks is little men in her midst... "Don't Be Afraid of the Dark" terrified me as a child because it played on one of my basic fears, a fear that is shared by many an impressionable child. That of something being under the bed at night time, or in the cupboard, and yes, in the walls behind the fireplace. Of course now as an adult revisiting the film it has lost the power to truly terrify me. But not once since that time as a child have I not cast a nervous smile in the direction of all the open fireplaces I've come across over the years. This is something I think one should always remember when revisiting such films from your youth, the impact back then is what's important. Now to me the film is a nostalgic trip that still retains the power to prick up those goose-bumps, and with each goose bump comes back memories of believing there was such a thing as little troll like demons out to get us. It's a cracking little chiller is this, the cast give it their all (particularly Darby) and while the effects and production are evidently low, it still carries a charm that 70s TV movies seem to carry for those that blossomed during it. Very much a cult film over the years, horror fan pressure has led to it finally getting a DVD release in August 2009. All those fans are just like me, they remembered the night that "Don't Be Afraid of the Dark" actually meant that we "would" be afraid of the dark. First time viewers to it now are unlikely to get much, if anything, from it. But don't mock or be scornful towards us, for we was there, and we carried with us that first chill for ever more. 8/10
In the spring of 2010, a church lock in at First Baptist Church was organized by Pastor Chris. In the first hour of the lock in, one of the students, Justin, had an unusual “incident” and was “inconsolable.” It was reported that he calmed down and kept to himself for the remainder of the event. Two days after the lock in, Justin reportedly broke down to his parents that he experienced something “evil” at the lock in. He also claimed he captured everything on tape. After watching the footage, the parents met with church leaders to discuss criminal charges they were considering filing against the church for child endangerment, neglect and torture.
A group of people are trapped in a West Berlin movie theater infested with ravenous demons who proceed to kill and possess the humans one-by-one, thereby multiplying their numbers.
One night, a female demon attacks Rick, a contentedly married man. Under the spell of the demon, he takes a beautiful young woman, Ariel, off to an isolated house for a weekend fling. There, bizarre and frightening things happen, and accidentally Rick kills Ariel. But she won't stay dead. He soon realizes that she is the demon that first attacked him. He defends himself by killing her again. And again. But no matter how many times he kills her, she keeps coming back
A series of cop murders plagues the city. The remaining officers on the force are increasingly worried as the deaths increase with no leads. As the department's finest must solve the case before the killer strikes again.
When marketing exec Lucy learns that she’s inherited her grandfather’s year-round Christmas store, “Forever Christmas," she makes a trip back home to support the store during its final Christmas season before she sells it to a hip athletic leisurewear company. But once she is back in Vermont, she begins to understand why her grandfather's shop is so special with the help of local diner owner, Scott and the magic of a Christmas stranger from the north.
After an American family moves to an old country manor in rural England, one of the daughters is tormented by the spirit of the owner's long lost daughter, who mysteriously disappeared 30 years ago during a solar eclipse.
Mary Elizabeth goes to bed alone one night, still a twenty one year old virgin, and wakes up the next morning pregnant. Possessed by the demon fetus growing within her womb, Mary Elizabeth obeys her homicidal cravings to kill, for the sake of her unborn spawn. Mary Elizabeth's dark transformation is controlled by her unborn demon child's deadly evil cravings.
NRI Siddharth Chaturvedi and his wife Avni return to Siddharth's family's ancestral Varanasi palace while disregarding warnings of a curse and paranormal phenomena. Soon enough, inexplicable events begin occuring, which forces Siddharth to consult the eccentric psychiatrist Aditya Shrivastav to help solve the mystery.
It's 2 A.M. in St. Louis when a routine scientific experiment goes terribly wrong and an explosion shakes the city. A scientific team investigates, clashing with an intergalactic, voltage-devouring creature that vaporizes them.
"The Laramie Project" is set in and around Laramie, Wyoming, in the aftermath of the murder of 21-year-old Matthew Shepard. To create the stage version of "The Laramie Project," the eight-member New York-based Tectonic Theatre Project traveled to Laramie, Wyoming, recording hours of interviews with the town's citizens over a two-year period. The film adaptation dramatizes the troupe's visit, using the actual words from the transcripts to create a portrait of a town forced to confront itself.