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The idea of an action anthology film sounded quite appealing in that three directors - M Padmakumar, Diphan and Vinod Vijayan - would offer their explorations , each through a film that falls in the action genre. The resulting product - 'D Company' - is however far from electrifying, and the reasons are many. 'D Company' starts off with the Padmakumar film 'Oru Bolivian Diary' that has been scripted by G S Anil. It stars Asif Ali in the role of Chinnan, a tribal youth who sacrifices his life during his endeavor to protect an activist and revolutionary named Chaukidaar (Samuthirakani) from the clutches of the cops. 'Gangs of Vadakkunnathan' that has been scripted by Anoop Menon and directed by Diphan is the better film of the lot, thanks to a spirited performance by Jayasurya. The actor plays Varaal Jaison, a notorious gangster based in Thrissur, and the film itself chronicles the gang wars in the city of Vadakkunnathan. A shrewd police officer named Akbar (Anoop Menon), who arrives in the city on a very special mission, aided by his assistant (Unni Mukundan) brings the battles to a close. Vinod Vijayan's 'The Day of Judgement' has been scripted by Rajesh Ravi and has Fahadh Fazil playing a doctor who is acuused of murdering his deranged wife Jeena (Bhama). Zarina Mohammed (Tanusree Ghosh), the police officer in charge of the investigation is hot on his heels, and the doctor is cornered in no time. Script wise, none of the three films lays out any surprise before us, and hence all three of them could have done much better with stronger, more compelling plot lines behind them. As of now, the plots are littered with sudden jumps here and there, that makes the ride less thrilling and more tiresome. Sometimes it so happens that one film in an anthology does not match up to the rest, and that the others makes up for its mediocrity with their supremeness. However in 'D Company' this brilliance is visible in none of the three films, and all of them, without exception can be strictly categorized into middling stuff. What it does manage to do is to maintain the dark tone that runs evenly through all the three films, and the sinister mood that is evenly stretched across. I have a very special word for the technical excellence that is visible throughout - the cinematographers Vinod Ilampally, Bharani K Dharan and Pappu have done commendable jobs in the respective films. It's surprising that Padmakumar has opted for a story that is strangely reminiscent of his own film 'Shikar' and with Samuthirakani himself playing the role of a revolutionary yet again. One cannot be blamed for sensing that some frames look weirdly similar to the former film. Anoop Menon's peculiar cocktail that blends the Trivandrum slang with finely polished utterances in English has started getting repetitive, but the best scene in 'D Company' belong to him - when Akbar asks if his fellow officer Narendran (Irshad) is a Nair by caste, through an observation that is hilarious. Fahadh is extremely impressive as the doc in distress, and he has close competition from Jayasurya who simply rocks the screen as the deadly thug. Asif Ali, Samuthirakani, Anoop Menon and Unni Mukundan do justice to their roles, while Bhama, Tanusree Ghosh and Ananya come up with adequate performances. The brilliant visuals aside, 'D Company' is something of a bore. Beneath its dazzling surface, the depth is missing, and so are the thrilling undercurrents that make an action film worth a solid recommendation.
“Urban Motives 4.1” is an anthology film consists of 5 short movies by 5 Azerbaijani directors. The first, by Anar Abbasov, is about a relationship between a man and women who live next door; second, by Ru Hasanov, is about a life of a musician who is different from others with his mentality; third, by Teymur Ismayilov, tells a story of a young worker who has his own dreams; fourth, by Jafar Akhundzade, is about traumas caused by war; and the last one, by Vugar Islamzadeh, is a story about a criminal group and an officer who wants to take revenge.
Young couple Steve and Nell move into a once fashionable but now decaying apartment block in Hollywood, and soon realise that a number of young residents have met unusually violent deaths. Before long, Nell makes some disturbing discoveries about the building's manager and her fellow tenants.
A folklore professor becomes unwittingly possessed by the ancient Japanese demons of Thunder and Lightning. But when The Bureau of Paranormal Research & Defense dispatches a team of agents to investigate, a cursed samurai sword sends Hellboy to a supernatural dimension of ghosts, monsters, and feudal mayhem. Now while pyrokinetic Liz Sherman and fishboy Abe Sapien battle one very pissed-off dragon, a lost and cranky Hellboy must find his way home.
F/X man Rollie Tyler is now a toymaker. Mike, the ex-husband of his girlfriend Kim, is a cop. He asks Rollie to help catch a killer. The operation goes well until some unknown man kills both the killer and Mike. Mike's boss, Silak says it was the killer who killed Mike but Rollie knows it wasn't. Obviously, Silak is involved with Mike's death, so he calls on Leo McCarthy, the cop from the last movie, who is now a P.I., for help and they discover it's not just Silak they have to worry about.
After her husband dies in a freak plane accident, a woman leaves London for Athens to collect his generous life insurance policy. She soon discovers that others besides herself are keen to get their hands on the money - and are willing to kill for it. Meanwhile, a private investigator arrives to investigate irregularities in the claim, teaming up with a beautiful reporter.
Two policemen, one an old-timer, the other his volatile younger partner, find themselves suspended when a video of their strong-arm tactics becomes the media's cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.
A group of counter-terrorism agents are brought in to track down a man who was once the head of their squad, and is believed to have gone rogue.
An extinct species, the Tasmanian tiger. A long-forgotten legend, “The Pieman” aka Alexander Pearce, who was hanged for cannibalism in 1824. Both had a desperate need to survive; both could have living descendants within the Tasmanian bush. Four hikers venture deep into isolated territory to find one of these legends, but which one will they come upon first?
Sergeant Tong is wracked with guilt after he unwittingly kills a young girl whilst capuring a criminal named Cheung. When the girl's sister is later kidnapped in a ploy to get Cheung released, Sergeant Tong vows to find and rescue her before she comes to harm.
Two con artists try to swindle a stamp collector by selling him a sheet of counterfeit rare stamps (the "nine queens").
A remake of the 1927 horror film "The Wizard". Dr. Larry Forbes arrives in a remote French village to visit his fiancée who lives with her scientist father Dr. Renault and his Ape-like manservant Noel. Several Murders coincide with Dr. Forbes arrival, with clues pointing in multiple directions.