War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Some films bill themselves as exactly what they are. And I have no problem with that. This implies itself to be something other than it is. You expect, at best, The Girlfriend Experience, at worst Student Services, and at the absolute bottom either Pretty Woman or 50 Shades. What you get is neither. What you get is a horrible script made worse by bad actors. Maybe it billed itself so deceivingly in an effort to divert expectations. Maybe they did it because they knew they had a bad film. In either case, this film assumed it was better than it was and didn't have the talent behind it to allow for an annoyingly pretentious delivery. What you have here is a film that thinks it is deep and poignant, but is really just gutter trash putting on the airs of high society.
A comedy romance movie about the last generation of youths and their passionate romance based in Hongseong, Chungcheong Namdo in the 1980s.
It sets in China 1945, a romance develops between the young Ningjing ZHAO (Xun Zhou) and LIN Shuang-Ran, although they are distant cousins and Shuang-Ran is already betrothed. Each will seek to fight against there destiny to try to live each their romantic feelings.
Two women, one American and one British, swap homes at Christmastime following bad breakups. Each woman finds romance with a local man but realizes that the imminent return home may end the relationship.
Thomas can neither accept or change what he is. His perversion is a burden and his abstinence, a struggle. At his daughter’s birthday party, he happens to meet her newest friend, Mathilde. What was supposed to be a random event becomes a true battle for him.
Young-seok, who feels overwhelmed and lonely in what should be his glorious youth, meets a woman who introduces herself as Josée, and they share a once-in-a-lifetime romance.
Ranch hand Stubby Pringle journeys to a Christmas dance, hoping to find his true love, and learns a valuable lesson about the spirit of the holiday along the way.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
Young lovers Sailor and Lula hit the road to start a new life together away from the wrath of Lula’s deranged, disapproving mother, who has hired a team of hitmen to cut the lovers’ surreal honeymoon short.
Liza works at night, a taxi ride for her is a moment of much-desired peace. The driver Sasha inspires confidence, he knows the approach to the most demanding client. There are many unexpected turns in the lights of the big city, behind each of which lies a terrible threat. And perhaps the main danger is closer than it seems.