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The One Show - (Mar 29th)
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Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
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Takashi Shimura is impressive in this slightly squalid tale of a dipsomaniac doctor ("Sanada") charged with caring for a population housed in a bombed out part of the city. A large stagnant pond amidst their community is as likely to prove a source of toxicity as the pervading Yakuza activities. Those centre around "Matsunaga" (Toshirô Mifune) who turns up at the surgery with an injured hand. The doctor treats the wound but also suggest that the man might want to get treated for what he suspects is a case of tuberculosis. The two men fight - verbally and physically - and things continue to worsen when his boss "Okada" (Reizaburô Yamamoto) gets out of prison and starts to reassert his authority amongst the shopkeepers. Despite the initial hostility, Kurosawa manages to generate a considerable degree of amity between the two men as the story progresses. It is a friendship - of sorts - borne out of frustration and a desire to drink a great deal, and that dynamic becomes more engaging as the inevitability of parts of the story become ever clearer. There is some lovely guitar accompaniment to Fumio Hayasaka's score and the dialogue sparingly but convincingly guides us along as these two opposites start to attract. It is tightly paced with plenty of action as well as engendering, for me anyway, quite a degree of sympathy for the physician caught in a maelstrom of despair that is as much self-induced as anything.
A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.
In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.
A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.
A small-time hood must choose from among love, friendship and the chance to rise within the mob.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
A New York gangster and his girlfriend attempt to turn street beggar Apple Annie into a society lady when the peddler learns her daughter is marrying royalty.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
