Steamboat Bill, Jr.

Bob McGraw is in his 12th year of college, goofing his way through life. Bob, Irwing, Gonzer and Max are the four losers forced and bribed to represent their university in an intercollegiate raft race. Forced and bribed into this role, they make some friends, the lovely Heather Merriweather, but mostly enemies, among others a whole team of marines, and preppy IVY-leaguers determined to win.

Kitty Carroll, an attractive store model, volunteers to become a test subject for a machine that will make her invisible so that she can use her invisibility to exact revenge on her ex-boss.

In 19th century Paris, a maniac abducts young women and injects them with ape blood in an attempt to prove ape-human kinship but constantly meets failure as the abducted women die.

As a young couple stops and rests in a small village inn, the man is abducted by Death and is sequestered behind a huge doorless, windowless wall. The woman finds a mystic entrance and is met by Death, who tells her three separate stories set in exotic locales, all involving circumstances similar to hers.

Greedy heirs wait in a mansion for a rich cat lover to die, only to learn her cats come first.

A Man in Our House is a 1961 Egyptian film about the resistance to British rule in Egypt which ended in the exile of King Farouk in 1954 and the rise to power of Gamal Abdel Nasser.

Everything is arranged by Dick and his college chums to have their sweethearts from the city, with their chaperone, visit them to spend the day. At the eleventh hour the boys receive a telephone message from the girls informing them that their chaperone has disappointed them, and they will not be able to come. The boys are disconsolate. While they are deploring the matter, their tailor, the ninth part of a man, enters. Struck with a sudden idea, they seize him and compel him to impersonate Dick's godmother.

(Mounir Wagdy) A reckless reckless young man residing in Cairo with a friend like him, overburdened by debts despite the 100 pounds his uncle sends him every month. He deliberately tricks and lies to extort money from his uncle, telling him a lie that he married a girl of large families, and his debts grow. He is confined to a movable room on the roof of a large building that uses his address in his correspondence with his uncle and sent to his uncle that his wife was placed to ask for help. Uncle rejoices and comes with his sister to see the child and Munir falls into the evil of his deeds!

Khairiya is a wealthy girl engaged to her cousin Amin Al-Thara as well. Her family loses this wealth and the girl loses her fiancé, who refused to be paired with a bankrupt girl. She is shocked by charity when she finds her fiancé with another girl and another rich daughter. The family lives the life of the strugglers and the girl recognizes Fayez and is connected with him emotionally, which makes the whole family object to him to put his origin, despite his success in achieving wealth, but marry him because of the patience and ambition and already above the star of her husband and enriched return rich as she was, but her family still intervenes between them and do not agree On this marriage of the social difference between them, a sermon is being made on your brother of a charity of the sister of Fayez's sister.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

An extremely patient man shares a sleeping car on a overnight express train with a complete hypochondriac. Anxious for his berth mate to reveal any habits which might disturb his delicate sleep, the neurotic man subjects the other to an absurd interrogation.