Jake Paul vs. Mike Tyson 2024 - Movies (Nov 16th)
Christmas with the Singhs 2024 - Movies (Nov 16th)
Woman of the Hour 2023 - Movies (Nov 16th)
Heightened 2023 - Movies (Oct 2nd)
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Hounds of War 2024 - Movies (Oct 2nd)
A Missed Connection 2024 - Movies (Nov 16th)
Unwrapping Christmas Mias Prince 2024 - Movies (Nov 16th)
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Two Chefs and a Wedding Cake 2023 - Movies (Nov 15th)
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The Killers Game 2024 - Movies (Nov 15th)
Strange Darling 2023 - Movies (Nov 15th)
An Almost Christmas Story 2024 - Movies (Nov 15th)
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Youre Killing Me 2023 - Movies (Nov 15th)
The Boy in the Woods 2023 - Movies (Nov 15th)
A Vineyard Christmas 2023 - Movies (Nov 15th)
20 Minutes - (Nov 16th)
Whos Talking to Chris Wallace - (Nov 16th)
Jesse Watters Primetime - (Nov 16th)
Special Report with Bret Baier - (Nov 16th)
The Five - (Nov 16th)
The Last Woodsmen - (Nov 16th)
The UnBelievable with Dan Aykroyd - (Nov 16th)
Shark Tank - (Nov 16th)
Fat Joe Talks - (Nov 16th)
Return to Las Sabinas - (Nov 16th)
Gutfeld - (Nov 16th)
The Ingraham Angle - (Nov 16th)
Killer Cases - (Nov 16th)
Life After Lockup - (Nov 16th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
A woman and her daughter struggle to make their way through the aftermath of the Balkan war.
This is the story of the few people who went ahead, beyond racial prejudice. And their struggle to open the workplace to other people.
Showmen riding cinema lorries have brought the wonder of the movies to faraway villages in India once every year. Seven decades on, as their cinema projectors crumble and film reels become scarce, their patrons are lured by slick digital technology. A benevolent showman, a shrewd exhibitor and a maverick projector mechanic bear a beautiful burden - to keep the last traveling cinemas of the world running. A critically acclaimed, poignant documentary that celebrates India’s travelling picture shows and laments their demise, filled with exquisite visuals and marvellous eccentrics.
From behind the closed doors of women's washrooms, The Powder Room reveals women sharing intimacies in the privacy of each other's company. Originating from the director's observation that women trade secrets with friends and strangers in public washrooms, this innovative and candid documentary takes us to high school bathrooms, seniors centres' powder roooms, Newfoundland dance halls, New York nightclubs, a sauna in Copenhagen, a Casablanca hamman and country-and-western bars in Texas. In each location, as women are filmed in verité sequences, they confess their joys, their frustrations and their pain about love, sex, relationships with men and friendships with each other.
Man has a new best friend in this heartwarming portrait of nine men whose lives have been forever changed by their proud love of cats.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
The film is set to the music of Franz Schubert and is very strange. Much of it consists of disembodies arms and legs all moving about to the music. There are also folks in body suits moving rhythmically to the tune. Occasionally, there are shots of a guy in full color with multiple exposures.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
The Homeland of Electricity, Larisa Shepitko's adaptation of an Andrei Platonov story, was one of three short films collected in an omnibus work (Beginning of an Unknown Era) commissioned to honor the 50th Anniversary of the October Revolution. Censors eventually shelved the film and it would not see the light of day until well after Shepitko's death, during Mikhail Gorbachev's perestroika.
'History is always made in the middle of the night. And when it happens, you are so damned tired, that you couldn't care less,' says Robert Cooper, an EU peace negotiator whose job it is to get Serbia and Kosovo to reach an agreement about peaceful coexistence. National pride and compromise are on everyone's lips, and much is at stake: Kosovo wants to come closer to independence, the Serbs have been promised EU membership if they can reach an agreement, and the EU tries to strengthen its credibility. But how far is each party willing to go? It is the unique characters that make this fascinating film about a delicate political game so vivid and loveable. The stoic, Serbian negotiator has a great passion for rock music, his colleague from Kosovo does not want to miss out on his daily visit to the hairdresser, and Cooper himself has a closet full of ties - one for every conceivable occasion.
Molly Ivins was six feet of flame-haired Texas trouble. She was a prescient political journalist, best-selling author, and Bill of Rights warrior. She took no prisoners, leaving both sides of the aisle laughing and craving more of her razor-sharp wit. It's time to raise hell like Molly!