Song 5

An experimental film about the city of Stockholm.

A short film shot on Super 8 which captures the last days of winter.

Fog surrounds the peak of a mountain as summer wildflowers bloom.

It was a family secret, hidden for decades - until now. With the help of commercial DNA bases, SVT's US correspondent Carina Bergfeldt sets out in search of her secret half-brother, who according to a rumour exists. The hunt came to affect her whole life.

A regular Wednesday night in Tokyo's subway. The train is filled with more and more people...

This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.

Home movies and their unique place in popular culture are the subject of My Father's Camera. Director Karen Shopsowitz weaves the history of home movies together with footage shot by her father-amateur filmmaker Israel Shopsowitz. Equipped with her dad's old Super 8 camera, Karen traces the history of home movies from the 1920s through to the amateur explosion of the '30s and '40s and beyond. She interviews a lively line-up of scholars and collectors, such as early members of the Toronto Film Club, a Japanese-American archivist who sees home movies as an expression of cultural diversity and a collector who hosts popular Webcasts that highlight new acquisitions.

Through his own photographs, the Basque artist Néstor Basterretxea (1924-2014) is portrayed by the art critic and exhibition curator Peio Aguirre, a great connoisseur of his work and personal archives.

Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.

The recovery of family videos is the resumption of a path: the massification of VHS brought new levels to family recordings. With the incorporation of sound, home videos gave way to commentaries, speeches and the filtering of sounds, giving rise to a documentation of the sounds of each era. In this first-person film, Juliana Antunes revisits, reframes and recombines the discordances between norm and desire in the memories of an LGBT girl in a Brazilian suburb.

For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.