Scum

John, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support John on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.

In a corrupt city, a small-time gangster and the estranged wife of a pot dealer find themselves thrown together in an escapade of love, money, drugs and danger.

A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.

A starry-eyed actress with a troubled past faces her harshest critic during an interview gone wrong.

When Amelia and her son Rex move to an opulent neighborhood, Rex is accused of something unthinkable, and Amelia must decide who to trust and protect.

An imprisoned ex-police inspector discovers that the entire penitentiary is controlled by an inmate running a crime syndicate and becomes part of the crime empire.

Two first-year students at Oxford University join a secret society and learn that their reputations can be made or destroyed over the course of one evening.

Stage director Frank Castorf “might have been born to direct From the House of the Dead” (Opera Today). His gritty, visually striking adaptation brings bold modern and postmodern touches to Janáček’s masterwork without ever overshadowing the intense forward momentum of the music, conducted to dramatic perfection by Simone Young and sung by an all-star cast in Munich. Janáček adapted Dostoevsky for this powerfully compelling opera set in a Siberian prison camp, full of starkly contrasting moods and motifs, unusual in its episodic structure. The last opera Janáček ever composed, its third act was on his desk when he died in 1928; attempts by his students to “complete” his orchestration have largely fallen away over the decades in favor of the original version. Despite the grimness of the setting and the brutality of several characters, the composer’s compassion shines through in tender moments, movingly illustrating his motto for the work: “in every creature, a spark of God.”

Featuring a maniacal performance by Mike Passion and a nerve-shredding soundtrack by legendary Detroit punk-rock bands Shock Therapy, Itchy Wiggle Christ and Lab Animals, Mike Pacitto's American Punks follows the pathetic misadventures of a low-life thug and GenX loser with a death wish. It's an outrageous blend of Slacker, Gregg Araki's The Doom Generation and the brutal cinema of Alan Clarke - telling the story of those whose existence is without meaning and who see no point in living other than killing and dying.

A young couple on the run take a family father as a hostage and are shocked to realize that he actually is a serial killer who just murdered the family. With the police on the outside and the killer on the inside they now have nowhere to run and nowhere to hide, all whilst trying to solve their relationship problems... This is an action packed thriller with tongue in cheek

North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.