万華鏡

The image of a mysterious, solitary filmmaker - a cineaste maudit - who flees from both the media and the public, is unrelentingly bound to the figure of Leos Carax, in France. Elsewhere, the real focus is on his films and he is considered to be an icon of world cinema. Mr.X dives into the poetic and visionary world of an artist who was already a cult figure from his very first film. Punctuated by interviews and unseen footage, this documentary is most of all a fine-tuned exploration of the poetic and visionary world of Leos Carax, alias "Mr.X".

Nearly 30 years-old, Hélène still looks like a teenager. She is the author of powerful texts with corrosive humor. It is part, as she says herself, of a "badly calibrated lot, not entering anywhere". Her telepathic poetry speaks of her world and of ours. She accompanies a director who adapts her work to the theater, she talks with a mathematician ... Yet Helene can not talk or hold a pen, she has never learned to read or write. It when she turns 20 that her mother discovers that she can communicate by arranging letters on a sheet of paper. One of the many mysteries of the one that calls herself Babouillec ...

Four strikingly different women undergo treatment at a comprehensive breast center presided over by the inimitable and searingly honest veteran surgeon Dr. Lauren Schnaper. She believes that fear, ignorance, and pink-ribbon culture are fueling an explosive rate of unnecessary mastectomies in America. Blending medical archival footage with extensive 'collateral damage' suffered by our four women - repeated loss of implants, blood infections caused by multiple surgical procedures, cosmetic nipple exchanges, reactions to cadaver's skin that is used to house breast implants - we learn that breast reconstruction post-mastectomy is no 'boob job.' As Dr. Schnaper advocates breast conservation and debunks breast cancer myths, so the myth of St. Agatha, the Sicilian martyred saint of the breast, offers a commentary on our own confused contemporary moment.

Forever enshrined in myth by an assassin's bullet, Kennedy's presidency long defied objective appraisal. Recent assessments have revealed an administration long on promise and vigor, and somewhat lacking in tangible accomplishment. His proposals for a tax cut and civil rights legislation, however, promised significant gains in the months before his assassination. While maturation, as evidenced in the handling of the Cuban missile crisis, was apparent, the potential legacy of the New Frontier will forever be left to speculation.

Impressions of the rue Mouffetard, Paris 5, through the eyes of a pregnant woman.

FIGHTVILLE is about the art and sport of fighting: a microcosm of life, a physical manifestation of that other brutal contest called the American Dream...

In December 2025, the extraordinary artist Hildegard Knef would have celebrated her 100th birthday. Her life was shaped by numerous talents, an unshakeable will to succeed and the ability to keep pushing herself forward. This documentary sheds light on the life of the legendary actress and singer.

Raised in the small all-Black Florida town of Eatonville, Zora Neale Hurston studied at Howard University before arriving in New York in 1925. She would soon become a key figure of the Harlem Renaissance, best remembered for her novel, Their Eyes Were Watching God. But even as she gained renown in the Harlem literary circles, Hurston was also discovering anthropology at Barnard College with the renowned Franz Boas. She would make several trips to the American South and the Caribbean, documenting the lives of rural Black people and collecting their stories. She studied her own people, an unusual practice at the time, and during her lifetime became known as the foremost authority on Black folklore.

Wild Man Blues is a 1998 documentary film directed by Barbara Kopple, about the musical avocation of actor/director/comic Woody Allen. The film takes its name from a jazz composition sometimes attributed to Jelly Roll Morton and sometimes to Louis Armstrong and recorded by both (among others). Allen's love of early 20th century New Orleans music is depicted through his 1996 tour of Europe with his New Orleans Jazz Band. Allen has played clarinet with this band for over 25 years. Although Allen's European tour is the film's primary focus, it was also notable as the first major public showcase for Allen's relationship with Soon-Yi Previn.

Deep behind-the-scenes into the strip-mined world of Alberta, Canada, where the vast and toxic Tar Sands deposit supplies the U.S. with the majority of its oil. Through the eyes of scientists, 'big oil' officials, politicians, doctors, environmentalists, and aboriginal citizens directly impacted by 'the largest industrial project on the planet today,' the filmmakers journey to both sides of the border to see the emotional and irreversible toll this 'black gold rush' fueled by America's addiction to oil is taking on our planet.

Documentary telling the compelling story of the 40th Irish Dancing World Championships.