Armor 2024 - Movies (Jan 7th)
George A. Romeros Resident Evil 2025 - Movies (Jan 7th)
Venom The Last Dance 2024 - Movies (Jan 7th)
The Man in the White Van 2024 - Movies (Jan 7th)
Katangari Goes to Town 2025 - Movies (Jan 7th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 7th)
Flow 2024 - Movies (Jan 7th)
Dutch II Angels Revenge 2024 - Movies (Jan 7th)
Black Box Diaries 2024 - Movies (Jan 7th)
We Live in Time 2024 - Movies (Jan 6th)
Rally Caps 2024 - Movies (Jan 6th)
Love Of The Irish 2025 - Movies (Jan 5th)
Tom Davis Underdog 2024 - Movies (Jan 5th)
Paul Chowdhry Family Friendly Comedian 2024 - Movies (Jan 5th)
John Kearns The Varnishing Days 2024 - Movies (Jan 5th)
Seeking Mavis Beacon 2024 - Movies (Jan 5th)
The Beast of the Bales 2024 - Movies (Jan 4th)
A Different Man 2024 - Movies (Jan 4th)
VICE News Presents Searching for Masculinity 2024 - Movies (Jan 4th)
Andrea Mitchell Reports - (Jan 7th)
Black Snow - (Jan 7th)
Saint-Pierre - (Jan 7th)
A Terrified Teacher at Ghoul School - (Jan 7th)
The Chase - (Jan 7th)
Homestead Rescue - (Jan 7th)
Rip Off Britain - (Jan 7th)
How the Universe Works - (Jan 7th)
The Chase Australia - (Jan 7th)
Bargain-Loving Brits in the Sun - (Jan 7th)
The Repair Shop - (Jan 7th)
Watch What Happens Live with Andy Cohen - (Jan 7th)
The Travelling Auctioneers - (Jan 7th)
Reality of Wrestling - (Jan 7th)
The 11th Hour with Stephanie Ruhle - (Jan 7th)
Letters and Numbers - (Jan 7th)
Make Some Noise - (Jan 7th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.
Early 'visual music' film by John Whitney. Preserved by the Academy Film Archive in 1999.
Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive in 2004.
A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.
The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr. Preserved by the Academy Film Archive in 2001.
Two short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in 2005.
This animated short focuses on the lives of three eccentric people living on a farm in the Russian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.
A children's fable about the power of advertising, the meaning of life and ultimately the test of a mother's love. Preserved by the Academy Film Archive in 2016.
A walking figure emerges from a changing, circular cycle; his inner self emerges and precipitats a series of violent struggles with himself, adapting various animal forms along the way. Preserved by the Academy Film Archive.
"Marlborough" and "The Arab", lounging on the pool terrace, are alienated characters in some future time, living in a world where art work comes to life, phones continuously ring, televisions hum all night, and smog seeps into their brains. Preserved by the Academy Film Archive.
An animated parody of television commercials and the television audience. Preserved by the Academy Film Archive.