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And, so it ends, Vijay Sethupathi's enviable run of envelope-pushing movies, with this very familiar tale of blood-soaked romance that clearly wants to be another Subramaniapuram. Right from its period setting (late 1980s) to the countryside duets and the ruthless characters, Rummy recalls the Sasikumar film, almost to a fault. The film begins with Sakthi, an ordinary young man, joining college in Sivaganga where he meets his lover Meenakshi and his friends Joseph and Arunachalam. A tussle with a classmate over Meenakshi leads to Sakthi and Joseph taking a room in Arunachalam's village, where love affairs result in losses — of your anatomical parts or even life! Even as Sakthi carries on his romance with Meenakshi, Joseph falls in love with Sornam, the daughter of the village's 'periyavar', who is merciless when it comes to saving his honour. Soon enough, both the love affairs come to his knowledge, leading to a tragic ending. While it is, on the whole, a decent film, especially in the set-in-the-sickle-toting-south genre, Rummy is also wearisome, mainly because it is so predictable. There is a strong been-there-done-that whiff in the proceedings that you are hardly surprised and never really root for the characters. When we see Sakthi and Joseph witnessing a man getting his arm cut for falling love, we instantly know that the two will face life-threatening challenges in the second half. When a character makes an enemy of another in the first half, we know that he will return again later to get his revenge, even if he goes missing for most parts of the film. Then, there is a scene where a character asks another if he will look after her till the very end and he replies he'll care for her till he remains. Immediately, we know what fate (or, the director) has in store for this character. The characters too are broadly written and the actors try their best to elevate this material but there is hardly anything for them to hold on to and showcase something fresh. As for the romances, they happen so quickly without much drama (and, both are love-at-first-sight romances), while the villain doesn't have any shades — his only function in the film is killing or maiming anyone who has fallen in love with girls from his village. And, unlike some other directors who made up for the lack of novelty with atmosphere, Balakrishnan doesn't bother too much with colouring the film with nativity. If it isn't mentioned that the film takes place in the 80s, we would still have bought this as a contemporary story taking place in the lawless South (even if it isn't the reality). And, yet, despite all these problems, we stick till the end because of our inherent nature of finding some comfort in the familiar.
Three years have passed since Elling moved to town together with Kjell Bjarne, his roommate from the institution at Brøynes. Elling now lives on his own in the apartment. Kjell Bjarne has moved up one floor, to Reidun and her little daughter Mojo. Elling feels like an outsider, and he isolates himself more and more. He observes humankind with astonishment, and wonders at how everyone else seems to be adjusting so well. Finally, Kjell Bjarne takes care of the situation. Elling protests, but he is still pretty happy as he is transformed into a new man, clean, fully rested and well dressed. Deep inside, he also knows what's lacking, and one evening he finally finds the woman he knows is able to fill the void in his life. He's willing to do anything to win her trust and conquer her love. But when he is invited home to his new girlfriend for dinner, a few objections appear to Elling, and the story doesn't end quite the way he had thought it would.
Having taken out warlords, drug kingpins and international assassins, Thomas Beckett must now face the ultimate enemy, his best friend Paul Finnegan.
The epic love story tells the tragic tale of young Vietnamese bar girl Kim, orphaned by war, who falls in love with American GI Chris — but their lives are torn apart by the fall of Saigon.
Blue-collar Paulie prepares for fatherhood and his forthcoming wedding to Sue by hanging out with his groomsmen. Brother Jimbo, cousin Mike, and his pals fill the reunion with drinking, boys-will-be-boys antics and a few unexpected personal confessions. But, when the bonding devolves into accusations and regret, Paulie has to decide whether he's ready to tie the knot and take this big step into adulthood.
Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.
A detective breaks all rules of ethical conduct while investigating a colleague’s involvement in drug pushing and Yakuza activities.
Gabriel rents a room in Juan’s House. They work together in a Woodwork place. Gabriel is a very quiet guy and has a little daughter. Juan is a party boy who has a lots of girls around. Inadvertently the sexual tension starts to grow between them. It opens a new hidden forbidden world they have to deal with.
Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.
Halil goes to a bar with his friends and meets Sabiha, a prostitute, and they fall in love. Two lovers want to escape their past and live together. However, Sabiha knows little about Halil's life, and she has to face some facts.
Long-haul driver Hannes (Manfred Krug) picks up a young hitchhiker, Herb (Jaecki Schwarz), who had a falling-out with his parents after dropping out of college and now travels around doing odd jobs. After a series of adventures, they are joined by Johanna (Jutta Hoffmann) and her child, who missed their bus and need a ride to Berlin. Johanna has left her husband so that he can reflect on their broken relationship and both men gradually begin to fall in love with her.
Gowtham has a troubled childhood once his mother goes astray. He develops a dislike towards women in general and would often been seen in a pensive mood. Things change for the better when he bonds with Sri and Baby at school. They make a pact that they would never marry in life. When circumstances force Sri and Baby to deviate from this, the bonding of the trio breaks and Gowtham comes to understanding how his perceived misconceptions about life is so untrue.