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Why would a man frame himself... for murder? Beyond a Reasonable Doubt is directed by Peter Hyams and Hyams adapts the screenplay from Douglas Morrow's story/screenplay for the 1956 film of the same name. It stars Jesse Metcalfe, Amber Tamblyn, Michael Douglas, Joel David Moore and Orlando Jones. Music is by David Shire and Hyams also tackles cinematography duties. C.J. Nicholas (Metcalfe) is a journalist aiming for high things. He is convinced that high profile lawyer Mark Hunter (Douglas) is corrupting legal issues and sets about proving it... The 1956 film was the great Fritz Lang's last American film, more court drama than being overtly film noir, it was a film well tuned into legalities of its time. Hyams here updates to a modern era setting and it is fanciful - due to the advancements in technology - in the extreme. Of course those things can often be forgivable if the film is well put together and holds some thriller/drama weight. The look of the film is cheap, as in a TV movie look, with the cinematography uninspiring, the young cast members hardly turn in characterisations to care for, while Douglas (who is very good) is surprisingly under used. The story is a fascinating one as per human foibles, and there's a double whammy stroll down twister street that lifts the film to a rewarding closure. But it's still a disappointment, and this even if you haven't seen Lang's far superior 56 film. 6/10
The only thing that’s beyond a reasonable doubt here is this movie’s stupidity. The film opens with District Attorney Mark Hunter (Michael Douglas) addressing the jury at a murder trial: “The defense would like to tell you that our entire case is circumstantial. There are no eyewitnesses, no ballistic match, no alibi." Odd. One would think that a prosecutor who has scored 17 murder convictions in a row would view the absence of an alibi as something that favors the prosecution and not the defense. Reporter C.J. Nicholas (Jesse Metcalfe) is convinced that Hunter is corrupt; all 17 convictions were decided by DNA evidence that Nicholas is certain was planted in some way by Hunter. For example, a cigarette butt photographed at a crime scene belongs to a cigarette the defendant is shown smoking in an interrogation video; Nicholas's boss asks him rhetorically, "How could someone plant the cigarette at the crime scene when the interrogation took place three days after the crime scene photographs were taken?" Undaunted, Nicholas concocts a harebrained scheme to frame himself for the murder of a prostitute using circumstantial evidence (we know it’s harebrained because is a Life of David Gale ripoff). This includes buying a balaclava (and macing it while he’s wearing it. D’oh!) and a pair of sneakers from an "extremely rare" brand that "they stopped making in 1999." These shoes leave a footprint that matches in “size and weight” one found at the crime scene. I'd say this is a hint that (spoiler) Nicholas is the killer after all (otherwise the "size and weight" thing would be a huge coincidence), but that would be giving Hyams too much credit — especially considering that Nicholas forces a poor Jack Russell to bite him in the calf of his left leg, to recreate the bite received by the murderer courtesy of a witness's dog; however, since he really is the killer, this means he already has a bite mark. The second bite occurs off-camera, which leads me to assume either Nicholas managed to get the second dog to bite him in exactly the same place as the first, or that Corey (Joel David Moore), his friend and accomplice (in everything but the murder), who is also supposedly a journalist, is unable to tell the difference between a fresh dog bite and an old one. And let's not even talk about the sneakers of which Nicholas actually owns two pairs (so much for «extremely rare»). The icing on the bullshit cake is that Nicholas's plan depends entirely on Hunter actually being corrupt and willing to plant evidence, even though it's been well established that this is nothing more than a hunch on Nicholas's part, all his evidence of it nothing but pure speculation.
The Zodiac murders cause the lives of Paul Avery, David Toschi and Robert Graysmith to intersect.
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead - or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.
The Driver specializes in driving getaway cars for robberies. His exceptional talent has prevented him from being caught yet. After another successful flight from the police a self-assured detective makes it his primary goal to catch the Driver. He promises pardons to a gang if they help to convict him in a set-up robbery. The Driver seeks help from The Player to mislead the detective.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors. Verbal lures his interrogators with an incredible story of the crime lord's almost supernatural prowess.
Aliens in human disguise commandeer a rural airport during a snowstorm. To survive, the people trapped inside must determine which of their own is not of this Earth.
A man living in rural Wisconsin takes care of his bed-ridden mother, who is very domineering and teaches him that all women are evil. After she dies, he misses her, and a year later digs her up and takes her home. He learns about taxidermy and begins robbing graves to get materials to patch her up, and inevitably begins looking for fresher sources of materials. Based loosely on the true story of Ed Gein.
When rancher and single mother of two Maggie Gilkeson sees her teenage daughter, Lily, kidnapped by Apache rebels, she reluctantly accepts the help of her estranged father, Samuel, in tracking down the kidnappers. Along the way, the two must learn to reconcile the past and work together if they are going to have any hope of getting Lily back before she is taken over the border and forced to become a prostitute.
After a detective is assaulted by thugs and placed in an asylum run by Professor Baum, he observes the professor's preoccupation with another patient, the criminal genius Dr. Mabuse the hypnotist. When Mabuse's notes are found to be connected with a rash of recent crimes, Commissioner Lohmann must determine how Mabuse is communicating with the criminals, despite conflicting reports on the doctor's whereabouts, and capture him for good.
Edy, an insurer with questionable morals, knows his business inside and out, so much so that he is not stingy with all kinds of schemes to help some of his privileged clients collect their spouse's life insurance. However, Edy is tired of this life, which does not really bring him satisfaction anymore. So he decides to end his life. As he tries to do so, he finds himself involved in a dark story.
Beautiful Carmen Colson and her ironworker husband Wayne are placed in the Federal Witness Protection program after witnessing an "incident". Thinking they are at last safe, they are targeted by an experienced hit man and a psychopathic young upstart killer.