War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
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Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
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The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
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Mufasa The Lion King 2024 - Movies (Mar 25th)
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The One Show - (Mar 29th)
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I reckon anyone with any sense would avoid a family birthday party like the plague, but not 'Alexander" (Erland Josephson) who invites his lot to his seaside home for lunch. He was an actor and fancies himself as a bit of a disillusioned philosopher who craves the decency of times gone by - even though were probably never really there in the first place. Anyway, the party soon sets off down the usual path of familial discord and just when things couldn't get any more awkward, the house starts to tremble and loud aircraft sounds are heard passing overhead. They turn to the television and it tells them that a nuclear war has began before going blank. Now, they have no electricity and no way of knowing what's going on in the outside world and this adds more to their frustrations and fears and drives "Alexander" to his knees in prayer. He prays, he offers everything he has and is - if only his family are spared the worst. It's now that we are introduced to the enigmatic "Otto" (Allan Edwall) who suggests that salvation may indeed be in his hands, but first he must visit - and possibly placate - the reclusive "Maria". Who is she and what power might she have to alter this terminal train of events? This has many of the traits of an Ingmar Bergman film. The usual dysfunctional dynamics, the style of presentation and I'd say the glacial pace of the plot development, but it is't actually that quick. What makes it work though is the striking effort from Josephson in offering us a character who at times looks like he has but a limited grasp on realty, but who also has a deep spirituality to him. Though he doesn't much care for his brood, he will sacrifice anything and everything to see them safe. There's enough dialogue to convey meaning, but no more and the camerawork does most of the rest of the heavy lifting accompanied by some beautiful JS Bach. It's a film that tantalises our brains. We don't get anything, really, handed to us - we can treat it as a load of emperor's new clothes if we like, or we can imagine just how we might deal with impending disaster and consider what pacts we might make with God - or, for that matter, anyone else - to avert catastrophe. Susan Fleetwood is on top form as "Adelaide", a woman not entirely anchored in reality either and the below stairs machinations add a bit of necessary diversion to the intensity of the principal plot as we take a leisurely 2½ hours to reflect on what we might chose to reflect on with armageddon looming. It's a big screen experience, this film. Not just for the cinematography but also to help concentrate - no easy feat at times, here.
A coming-of-age story set across the lush wine country of both Australia and Spain, a young man explores the nature of father-son relationships and the pathway toward understanding and forgiveness.
The quiet life of Baker Dill, a fishing boat captain who lives on the isolated Plymouth Island, where he spends his days obsessed with capturing an elusive tuna while fighting his personal demons, is interrupted when someone from his past comes to him searching for help.
Nick Naylor is a charismatic spin-doctor for Big Tobacco who'll fight to protect America's right to smoke - even if it kills him - while still remaining a role model for his 12-year old son. When he incurs the wrath of a senator bent on snuffing out cigarettes, Nick's powers of "filtering the truth" will be put to the test.
An uptight English writer traveling to Crete on a matter of business finds his life changed forever when he meets the gregarious Alexis Zorba.
Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.
The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.
Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.
A touching story of an Italian book seller of Jewish ancestry who lives in his own little fairy tale. His creative and happy life would come to an abrupt halt when his entire family is deported to a concentration camp during World War II. While locked up he tries to convince his son that the whole thing is just a game.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
A snowboarder, whose career was interrupted by an injury, meets a determined pianist who inspires him to pursue his Olympic dreams.