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Ishura - (Feb 5th)
PopMaster TV - (Feb 5th)
The Chase - (Feb 5th)
Tonight - (Feb 5th)
The One Show - (Feb 5th)
Help Im in a Secret Relationship - (Feb 5th)
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Love and Hip Hop Atlanta - (Feb 5th)
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The 11th Hour with Stephanie Ruhle - (Feb 5th)
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Deal or No Deal Island After Show with Boston Rob - (Feb 5th)
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Rocky Mountain Wreckers - (Feb 5th)
Life Below Zero - (Feb 5th)
Watch What Happens Live with Andy Cohen - (Feb 5th)
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Simultaneously one of the most pretentious and brilliant things I have ever seen. If you love Nick Cave and the Bad Seeds, you will love this. If you find his music dark and too much hard work, stay away. 8/10
I wouldn’t hesitate to call Nick Cave a genius, especially not after watching 20,000 Days on Earth – and yet, the beauty of this biofictional film, co-written by Cave with directors Iain Forsyth and Jane Pollard, is its humility. Most movies about musicians, particularly rockstars, suffer from what we might call The Amadeus Syndrome; in contrast, 20,000 Days is a refreshing reminder that you must let inspiration find you working – and by ‘you’ I mean anyone; if Cave himself is a genius, it's not because all his ideas are right, but because he has the right idea about all ideas: “We cannot afford to be idle. To act on a bad idea is better than to not act at all, because the worth of the idea never becomes apparent until you do it. Sometimes this idea can be the smallest thing in the world, a little flame that you hunch over and cup with your hand and pray will not be extinguished by all the storm that howls about it. If you can hold on to that flame, great things can be constructed around it that are massive and powerful and world-changing... all held up by the tiniest of ideas”. This certainly is a film about the thought as well as the deed. We see Cave and the Bad Seeds working in the studio and performing onstage, but the movie reaches farther back, to the genesis of a song and even what lies before that – the ‘pre-song,’ if you will. We learn that everything – including “every secret, sacred moment that exists between a husband and a wife” – may be “cannibalized and ground up and spat out the other side in the form of a song, inflated and distorted and monstrous.” We learn also that songs are born from chaos (“Counterpoint is the key. Putting two disparate images beside each other and seeing which way the sparks fly”), “wild and unbroken,” and it’s the songwriter’s task to grab a hold of them in this protean state and not let go until they “become domesticated … something familiar and compliant.” This is no mean feat, considering that Cave’s songs aren’t your typical ‘verse-bridge-chorus’ compositions; “Higgs Boson Blues”, featured in the film, is an outstanding example of a stream of consciousness-type song whose greatest strength is its apparent spontaneity – and indeed, if Cave wasn’t reading the lyrics off a notebook as he sings them, we might be tricked into believing he’s improvising them right there on the spot. The movie as a whole is deceivingly effortless – one of those small ideas around which something great has been constructed.
Both an activist and a documentarian, Valentina Pedicini also brings her background in anthropology to this impressively captured, claustrophobic nonfiction feature. Venturing beneath sea level, From the Depths profiles the lone woman at work in the last coal mine in Sardinia, Italy.
When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
Young, ace assistant DA, Shelby Cook, works with driven cop, Mike Holland, to catch Daedalus, a serial killer infamous for luring his victims to their deaths through labyrinth traps. Three innocent men have already taken the fall for Daedalus and when Daedalus strikes again, Shelby finds herself defending the latest man accused, a retired and respected judge-who also happens to be her own father.
After the death of her husband, Pat learns that he gambled away all of their savings and that she's now destitute. She may even have to leave their apartment. Much to the embarrassment of her daughter Tina, who wants to marry a rich snob, she helps the homeless Dollie, who lives in a cardboard box near her building, and they become friends
After a series of catastrophically failed marriages, Apple is single again. Blame on Apple's attachment is in her opinion, her mother Ingrid. Because this Apple has punished not only with her hippie name, but was in every way a raven mother. When Ingrid spends an All Inclusive vacation in Spain, her mother and daughter are confronted with a dramatic event from their past.
Advanced Style examines the lives of seven unique New Yorkers whose eclectic personal style and vital spirit have guided their approach to aging. Based on Ari Seth Cohen’s famed blog of the same name, this film paints intimate and colorful portraits of independent, stylish women aged 62 to 95 who are challenging conventional ideas about beauty, aging, and Western’s culture’s increasing obsession with youth.
Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with an up and coming dancer, Nora.
The radical true story behind three teenage surfers from Venice Beach, California, who took skateboarding to the extreme and changed the world of sports forever. Stacy Peralta, Tony Alva and Jay Adams are the Z-Boys, a bunch of nobodies until they create a new style of skateboarding that becomes a worldwide phenomenon. But when their hobby becomes a business, the success shreds their friendship.
After her widowed father dies, deaf teenager Dot moves in with her godparents, Olivia and Paul Deer. The Deers' daughter, Nina, is openly hostile to Dot, but that does not prevent her from telling her secrets to her silent stepsister, including the fact that she wants to kill her lecherous father.
The strong bond between two brothers is challenged when their chosen responsibilities set them at odds, with extraordinary consequences.