War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Henry Tudor just got ruder! The 21st film of the long running Carry On series is a bawdy trip into the court of King Henry VIII (Sid James). The King has recently married Queen Marie of Normandy (Joan Sims) but since she eats too much garlic, thus putting the King off his conjugal rights, he plots to get her out the way. However, he must tread carefully as a war with France could easily arise should anything happen to the Queen. Some of the best colour Carry On movies would turn out to be set in an historical period. Carry On Henry is not one of the best from the historical romps, but it's a goodie and for those who like the saucy side of the series then it has plenty of appeal. The presence of James on womanising and boozing form, and Barbara Windsor doing her no brain all sexuality act, gives this entry its saucy soul, while Terry Scott (superb visual ticks), Kenny Williams (a continuously wonderful foil for Scott) and Charles Hawtrey mince about with gleeful abandon. The energy of the comedy is high and sustained throughout, while the art design and costuming is regal in production. The gunpowder plot forms a side-bar narrative, which is joyous but also shows us that Kenneth Connor is sadly under used, but the innuendo and purposely groan inducing gags are always on hand to tickle the senses of those so inclined towards this splinter of the popular British institution. 7/10
..or "Carry on History"? Henry VIII (Sid James) manages to squeeze in two extra wives into this daft historical romp that sees Cardinal Wolsey (Terry Scott) and Lord Chancellor Cromwell (Kenneth Williams) having to run the gauntlet of the King's pleasure as he marries "Marie" (Joan Sims) then decides he needs to divorce her for "nonconsumption" so he can marry the playful young "Bettina" (Barbara Windsor). It's off with their heads a-plenty as the lustful king plays politics and romance much to the chagrin of his officials, and I thought - in quite an entertaining fashion. The script is riddled with double-entendres, but they are actually quite a bit cleverer this time and Williams, James and the often underused Charles Hawtrey (poor old "Sir Roger") deliver this film well enough. This was certainly one of my favourites from this gang - it looks good and maybe Guy Faulkes should have watched it first?
Karthi and Riya elope one early morning to Ooty, fearing that the elders in the family will not accept their inter-religious relationship. They return to their respective homes after a couple of days after having a fight. They convince their loved ones that they hate each other and vow never to see each other again. The film would then trace the eventual course of their lives.
After his father is killed, Prince Valemon ascends the throne, only to be turned into a polar bear by a bitter witch who wants to be his queen.
King Henry II keeps his wife Eleanor locked away in the towers because of her frequent attempts to overthrow him. With Eleanor out of the way he can have his dalliances with his young mistress. Needless to say the queen is not pleased, although she still has affection for the king. Working through her sons, she plots the king's demise and the rise of her second and preferred son, Richard, to the throne. The youngest, John, is an overweight buffoon and the only one holding his father's affection is the king's choice after the death of his first son, young Henry. But John is also overly eager for power and is willing to plot his father's demise with middle brother Geoffrey and the young king of France, Phillip. Geoffrey sees his younger brother's weakness and sees that route as his path to power. Political and court intrigue ensues.
Prince Amleth is on the verge of becoming a man when his father is brutally murdered by his uncle, who kidnaps the boy's mother. Two decades later, Amleth is now a Viking who's on a mission to save his mother, kill his uncle and avenge his father.
From double BAFTA nominated Writer and Director John Walsh. Monarch is part fact, part fiction and unfolds around one night when the injured ruler arrives at a manor house closed for the season.
Filmed live at the Wilbur Theater in Boston, the self-proclaimed sweatiest woman in show business brings you her first ever standup special. Told in three acts and influenced heavily by her loves of surrealism and Russia, with multiple scripted sketches and filmed segments, her unique brand of humor will have you laughing while wondering, “is she ok?”.
A bandit leader kidnaps the wife of the policeman who killed his sister, but later falls in love with her.
Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce.
In Tangiers where he traveled for his work, a man finds the woman he loved, and attempts to revive their romance though it ended some 30 years earlier.
A man glimpses the future Fate has planned for him – and chooses to fight for his own destiny. Battling the powerful Adjustment Bureau across, under and through the streets of New York, he risks his destined greatness to be with the only woman he's ever loved.