Sierra Stranger

In 1889, seventeen men die under mysterious circumstances, and spooked by recent events, the miners who populate the town leave in droves until there's nothing left but a shell of a community.

When the miners of Roaring Camp become Godfathers to a motherless baby, they name the boy Luck and promise to set aside money for him from their diggings. But when they strike it rich the money is gambled away instead.

When honest ship captain Roy Glennister gets swindled out of his mine claim, he turns to saloon singer Cherry Malotte for assistance in his battle with no-good town kingpin Alexander McNamara.

In Bolivia, Butch Cassidy (now calling himself James Blackthorn) pines for one last sight of home, an adventure that aligns him with a young robber and makes the duo a target for gangs and lawmen alike.

In his film debut Ritter is sent to investigate miners being killed and their mines confiscated. The culprit is Evans and after Tex joins the gang, he is sent to kill two more miners. When Estaban is killed, Tex is put on trial for all three murders.

When a gang of ruthless claim jumpers brutally murders his miner father, a gunman known as the Silver Kid joins forces with the local marshal to free the tiny town of Silver City from the clutches of the dastardly villains.

A hard-working prospector enters the town of Bakeoven to stake his claim, only to have his rights stolen and his face on "Wanted" posters. He plans reprisal.

Tracy Powell, an Indiana farmer, gets the gold fever and heads for Stockton, California in 1849. There, he abandons his first partner, Bert Killian, and teams up with Sam Wilkins, a claim jumper employed by Willis Haver. Six years later, Powell returns to Indiana and his sweetheart, Julie. They marry and he tries farming again but, on the night their son is born, he takes off again searching for gold. This time he heads for the hills with an inveterate prospector, Jimmo McCann. A decade later, the two are still hunting for their big strike when McCann is killed in an accident. Powell returns home with news of a big strike but the deserted Julie will have nothing to do with him. His friend Killian will not believe him but Haver, now a banker gives him a small loan and then beats him out of his claim. Many years pass before he comes home, now sixty-years-old, and this time, his wife and son open their home to him. But he vows to go prospecting come next spring.

A fire in the mountains drives a wolf pack into the nearby desert where they terrorize the local residents. The leader of the wolf pack is Lobo, actually a halfbreed (Rin Tin Tin). When the pack is discovered hunting a herd of cows, a posse gives chase. Lobo leaves his pack to lead the posse away. He is injured and found by a local prospector, Dave Weston (Charles Farrell). The prospector nurses Lobo back to health and the two become close friends. Meanwhile, Weston has made a Borax find in the area. His girlfriend May Barstowe (June Marlowe), daughter of a wealthy rancher, is pleased. However, the local chemist, Borax Horton (Pat Hartigan), actually a claim jumper, plans to steal the claim.

Dare Rudd and Bate Fillmore have been enemies since early childhood, primarily over the affections of Nell Worstall. Dare, assuming the name of Holt, goes west to Colorado, as does most of his Kentucky friends and enemies. The feud between Dare and Bate is renewed, and Dare learns that Nell's father is in jail on a trumped-up charge made by Bate in order to force Nell to marry him.

On the Las Vegas strip, two unlikely men rendezvous: Samuel Hill, an ill-kempt desert miner, and Benjamin Jabowski, a John Birch Society dandy from the city. Intent on some sort of mayhem, they enter the Herald Club before the burlesque show starts, and they wire something to the electrical box, set to blow at midnight. They sit at the back of the club to get to know each other. As they drink and glance at the stage, Sam tells of a partner driven mad by visions of naked women in the sagebrush; Ben tells a tale of trying to rid his neighborhood of a pin-up studio. As they get drunker and the clock ticks toward midnight, they pull their chairs closer to the women on stage. Although, technically, it was Coppola’s feature directorial debut, the film is a combination of an unreleased Western-themed nudie cutie directed by Jerry Schafer called “The Wide Open Spaces” and a short film directed by Coppola called “The Peeper”.