Homestead 2024 - Movies (Jan 31st)
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The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
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Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
High Tides - (Jan 31st)
The Eastern Gate - (Jan 31st)
The Chase - (Jan 31st)
TNA iMPACT - (Jan 31st)
Dexter- Original Sin - (Jan 31st)
Scamanda - (Jan 31st)
Southern Hospitality - (Jan 31st)
Malta- The Jewel of the Mediterranean - (Jan 31st)
Dateline- Unforgettable - (Jan 31st)
Ask This Old House - (Jan 31st)
Impractical Jokers - (Jan 31st)
This Old House - (Jan 31st)
Shoresy - (Jan 31st)
The Rachel Maddow Show - (Jan 31st)
**_Interesting first half goes off the rails bad in the second_** A marshal in southern Arizona (Dwight Yoakam) tracks down a clan of murderous bank robbers with whom he grew up (Luke Askew, Vince Vaughn, Paul Reubens, etc.). Along the way he meets a woman that distracts his attention (Bridget Fonda). Peter Fonda, Bo Hopkins and Matt Clark are also on hand. “South of Heaven, West of Hell” (2000) is an eccentric adult Western with a great cast made by country music star Dwight Yoakam. He had some success at acting (e.g. “Sling Blade”) and so tried his hand at scriptwriting and directing here. He also plays the noble protagonist, of course, and does well in the role. There’s some beauty, like the cinematography and romance, but there’s also an uncompromising nasty edge that emphasizes the ugly side of the Old West, as was done in “The Great Northfield Minnesota Raid” and Peckinpah’s “Pat Garrett and Billy the Kid.” If you like those Westerns and similar artsy ones, like "McCabe & Mrs. Miller" and "The Missouri Breaks," give it a try, but it’s arguably the least of ’em (with Brando’s “The Missouri Breaks” being the best IMHO, although “McCabe & Mrs. Miller” certainly has its points of interest). I should add that the violence in the flick is creative and stark, not to mention sometimes amusing. Speaking of amusing, Dwight did the music, which is sometimes ill-fitting, especially in the violent second half, which suggests that he was shooting for quirky and perhaps black comedy. Meanwhile Billy Bob Thornton shows up in an interesting bit part. Unfortunately, too much of the second half smacks of lousy filmmaking. No doubt Yoakam was being experimental and artistic, but I found too much of the film awkward, uncompelling and repugnant, even amateurish, which leaves a bad taste. It’s no surprise that it was a flop and hasn’t developed a cult following. I give credit to Dwight for trying and taking great risks (with SOME of it working), but it turned into a cinematic nightmare for him. The script needed rewritten to flush out the potential and tweak flaws, but that takes money which Yoakam didn’t have (he already sold his mansion in Malibu to help finance it). He had access to quality actors and enough money for a decent Western, but I guess you could say he was in over his head. It smacks of a Tarantino Western by a wannabe. Bridget (Peter’s daughter) would only do six more movies and a handful of TV episodes before retiring from the biz in 2002. The film runs 2 hours, 11 minutes, and was shot in southeastern Arizona (Sharp's Ranch historical site in San Rafael Valley, Old Tucson, Mescal and Benson). GRADE: C/C-
Like many young men in the Dominican Republic, 19-year-old Miguel "Sugar" Santos dreams of winning a slot on an American baseball team. Indeed, his talents as a pitcher eventually land him a slot on a single-A team in Iowa, but culture shock, racism and other curveballs threaten to turn Sugar's dream sour.
Adam and Steve are two gay youths who have a one-night stand that ends embarrassingly. Nearly two decades later, Adam, now a Manhattan tour guide, and Steve, a psychiatrist, meet again - but neither remembers the other from years before. The two begin dating, even playing matchmaker for their friends Michael and Rhonda, but their promising relationship hits a major snag when Adam and Steve finally recall their past connection.
Joey (Ethan Embry, Can't Hardly Wait) is a successful day trader at a high-end brokerage house, he has a beautiful fiancée and a home on the beach. He has it all and a lot to lose. Now the gambling addiction that has plagued him for years has him on the run and he must put everything on the line...including his life.
Sex sells in America and these guys know it. The Amateurs follows a small town band of loveable losers who hit upon an idea that can make their dreams and fantasies come true. Thinking they've found the road to riches and fame they decide to make the world's most innocent adult film. Everyman's fantasy turns into a hilarious misadventure when they find they're in way over their heads.
The lives of Eric, an ex hockey player, and his partner Sam, are thrown into turmoil when they are forced to take in Scot, a flamboyant 11-year-old.
Believing that bad karma is keeping him from realizing his dream, hip clothing designer Amer Atrash (Philippe Caland) attempts to orchestrate salvation - with unexpected results - in this indie drama. Pushed to the edge of financial disaster and facing marital woes, Atrash resolves to right a wrong he committed years earlier when his car accidentally struck Philip Blackman (Forest Whitaker), leaving him paralyzed.
Various citizens of Toronto anxiously await the end of the world, which is occurring at the stroke of midnight on New Year's Day.
During one unusually hot weekend, four friends struggle after hearing some life-changing news.
After her husband dies, Alice and her son, Tommy, leave their small New Mexico town for California, where Alice hopes to make a new life for herself as a singer. Money problems force them to settle in Arizona instead, where Alice takes a job as waitress in a small diner.
Diary of a Tired Black Man is a simple story about the complex relationships between black men and black women.
A mother, enduringly traumatized by the disappearance of her three-year old daughter 15 years ago, has cut herself off from her ex-husband and son. However, when a troubled young woman with a checkered past enters her life, old psychic wounds painfully resurface, as does the illogical and increasingly irrational hope that the young woman may be the daughter she lost so long ago.