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Aside from a passable resemblance to the man himself, Gary Busey also sounds a bit like Buddy Holly in this biopic of a man who blazed a trail through the American music industry. Despite the popularity of his toe-tapping "Peggy Sue" type numbers, he still faced quite an uphill battle to convince the powers that be that his quirky style of lyric writing and performing was not quite as Satanic as some of the more establishment figures thought. With his two best pals - the "Crickets" never far away, we follow the tumultuous process as they fall in and out and Holly falls for the love of his own life - Maria (Maria Richwine). Busey does well here as he portrays a man in love with his music, his audience and the idea of opportunity whilst conflicted with a desire to stay at home and be with his family. Like so many who become alive on stage, there are huge amounts of nerves and a sense of uncertainly about his abilities and popularity - especially when he begins to become idolised and goes solo. There are plenty of opportunities to get into his songs here, and those of the Big Bopper and Eddie Cochran and the film not only serves to illustrate just how pioneering Holly was, but also just how influential he was within a group of musicians who were changing the scene for ever. The supporting roles are rather undercooked, and that can impact a little on the study of his character, but Busey really does own this part and director Steve Rash knew enough to let us watch and judge by ourselves. Sure, there's an element of mimicry here, but it does come across as natural and personable.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.
The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.
The young Bavarian princess Elisabeth, who all call Sissi, goes with her mother and older sister Néné to Austria where Néné will be wed to an emperor named Franz Joseph, Yet unexpectedly Franz runs into Sissi while out fishing and they fall in love.
Sissi is now the empress of Austria and attempts to learn etiquette. While she is busy being empress she also has to deal with her difficult new mother-in-law, while the arch-duchess Sophie is trying to tell the emperor how to rule and also Sissi how to be a mother.
After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.
A twice-divorced mother of three who sees an injustice, takes on the bad guy and wins - with a little help from her push-up bra. Erin goes to work for an attorney and comes across medical records describing illnesses clustered in one nearby town. She starts investigating and soon exposes a monumental cover-up.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.