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I'd like to know why films like "Alice Sweet Alice" aren't mentioned nearly as much as they deserve nowadays. The fact that this film is overlooked and forgotten, makes me realize that many horror fans in training wheels are somehow missing out on a horror gem that is worthy of their attention. I suppose it is because people mostly tend to eulogize those films that try to be figurative and subtle even if are not enjoyable whatsoever. I find it hard to believe that this film was to a certain degree inspired by Nicolas Roeg's "Don't Look Now", because if I have to be honest, the only connection I can see, would be the usage of raincoats throughout the entire film as an emblematic element. One of the main differences between these two films is precisely what I was mentioning before: in "Don't Look Now", Mr. Roeg tried offers a pitiful excuse for a horror film full of fake and nonsensical symbolism and mind-games, while "Alice Sweet Alice", delivers pure and crude horror at its best with a very agreeable twist in the end. I know this is an independent horror film that probably didn't even get much attention when it came out, but honestly, I don't see why. This is one of those films that came out during the mid 1970s in which the stories were pretty plain at first sight and the ending could be somehow taken for granted. In "Alice Sweet Alice", the attention is mostly focused on the main character's psychology, which is Alice Spages (Paula Sheppard), an introverted 12 year old girl who lives with her mother (Linda Miller) and her spoiled little sister Karen (Brooke Shields). In this gruesome family drama, we see Alice as a manifest outcast who constantly tries to get her mother's attention by tormenting her little sister, who is obviously the one everyone loves and prefers. Fortunately (or perhaps unfortunately) for Alice, her sweet sister Karen is brutally murdered during the day of her first communion by the hand of a merciless killer wearing a mask and a yellow raincoat. As it is expected, all the fingers start pointing directly to Alice, since her jealousy and strange withdrawn manners match with her sister's perplexing slaughter Regardless of the obvious feelings surrendering Alice, her mother refuses to believe that her only daughter left is a raging murderess and confronts everyone who stands in her way just to prove the world that her sweet little girl is incapable of killing a bug. Sadly, Alice's violent behavior and the evidences don't help very much. While Mrs. Spages and her former husband Dom desperately try to convince the others that their sweet Alice is not a premature murderess, the body count increases in the most dreadful ways and the victims are coincidentally Alice's declared rivals. Clearly, this film could be taken as some kind of overlooked slasher film, but I myself find it compelling enough to be compared to some of the most respected horror gems that people worship nowadays. Nevertheless, "Alice Sweet Alice" is a simple film when it comes to the way it was filmed and the lack of pretentiousness made it forgettable for some 'serious movie fans'. All I know is that this film will be highly appreciated by most horror fans and anyone who is in the mood to see a well-done psychological horror gem that doesn't try to emulate complex situations to captivate the audience and trick them into believing that there's any form of symbolism at all. It's a horror film that includes vicious murders and a respectable body count, without turning into a pointless butchery that can only cling to gore. The psychological and 'respectable' side is present here as well, but Mr. Alfred Sole simply didn't need to brag about it and deceive the audience with misleading sequences.
A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
Master burglar Max Hopper is released early after three years and soon gets an exceptional job: stealing an advanced computer-chip from the IQ Industries headquarters. His first attempt fails; when he enters in cop uniform during an emergency board meeting, a fire quickly spreads- he considers it a godsend opportunity and stays, but soon has his hands too full saving other lives and just surviving to concentrate on the chip; only the owner, his wife who just filed for divorce and a few employees remain, but it soon turns out one of them stole company secrets but the arsonist and/or another chip-thieves are among them.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
A single mother and her slacker sister find an unexpected way to turn their lives around in this off-beat dramatic comedy. In order to raise the tuition to send her young son to private school the mom starts an unusual business – a biohazard removal/crime scene clean-up service.
Thirty-something single father Mike meets attractive younger Christine at a dance lesson. She likes him as much as he likes her. But are things too good to be true.
Eric O'Neill, a low-level surveillance expert with the FBI, believes he is accomplishing his dream of becoming a full-fledged agent, with his unexpected promotion and assignment to clerk for Robert Hanssen, a renowned senior agent with 25 years in the FBI. However, he soon learns the reason for his promotion is to gain Hanssen's trust and find proof that he is a traitor to the country. Determined to draw the suspected double-agent out of deep cover, O'Neill finds himself in a lethal game of spy vs. spy, where nothing is as it seems.
When a notorious German serial killer is captured after committing some of the most heinous acts against humanity ever imaginable, a farmer and police officer from a sleepy rural community on the outskirts of Berlin is drawn into the case as he searches for the answers to a murder that has shaken his tight-knit community.
In love with a girl that smells of oranges while in a complicated relationship with his father, Darek is gentle, strong and devoted to his little sister and their herd of horses. Darek's world is a story about the joy and pain of growing up in the isolated yet beautiful Lusatian Mountains. Here, horses are not expensive specimens of racing stables but beings you should care for and love. Not even that is enough in life though, as Darek finds out nearing the Summer's end, closing his childhood definitely. However, just like any ending, this is a start of something new.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.