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My all-time favourite movie! Like Gordie, I was a shy, sensitive boy, who was (and am) a writer, and I've been told by so many people I have a talent for it. Also, I've had many friends like Chris, being tough on the outside, while sweet on the inside, and I've known people like Vern, Teddy and Denny too :) Beautiful music, acting and truth about growing up, as relevant today as it was in the 80s/50s :) <3
Ok everyone - this is a 80's kid about kids, but don't think it is like the others as it is a Stephen King adaptation. It isn't for kids - unless you want to traumatize them. Coming of age at a high price, what makes this a special one on that decade. A solid 8.2 out of 10.0 / A in my score.
**A good film about the value of friendship and companionship.** This is one of those films that becomes adorable not only because of what it shows and tells us, but also because of the affective memories it awakens in us, or even because of the messages it brings and which it explains in its narrative. The value of friendships is a more than common theme in cinema, but perhaps this is one of the most paradigmatic and memorable films when the subject is precisely that. Very consistently based on a book by Stephen King, the plot is simple: four young friends get together to find the corpse of a boy who disappeared, and set off on a long journey on foot that will take them through a series of obstacles and difficulties, and that will test the friendship and unity of the group. The matter itself ends up being quite irrelevant, no one cares about the dead boy. What matters is the journey of the four boys and the way they overcome difficulties, forgetting their differences and what eventually separates them. Each of them has their own sad story: broken homes, families with little structure, domestic violence, dramatic family losses (a father, an older brother…). In short, none of them is a boy born with a silver spoon or into a well-positioned family. And the film explores this very well, with inspired dialogue and absolutely believable and well-conceived situations. Rob Reiner is a very effective director who knows very well what he wants. One of the points in which he shined most was in choosing the filming locations, designing the sets and reconstituting the period (the film takes place in the late 1950s, at the height of the post-war “American dream”): the director It really manages to transport us to the past and to magnificently designed and credible places. Another point he valued was the choice of actors for the four main characters. In addition to being a perfect fit in terms of age and physique, Corey Feldman, Jerry O’Connell, River Phoenix and Wil Wheaton are very talented and do their best with their characters and their material. Without the effort of these four young people, the film would not have the strength it has. On a technical level, the film stands out for its good cinematography, the sets, costumes and props that I mentioned above, the choice of period cars and an excellent soundtrack, featuring some iconic melodies of the time.
'Stand by Me' is undeniably an 80s flick - and a good one at that. The kid actors aren't actually all that great in terms of the performances that they give, though do have likeability and a beliveable friendship that make them worthy of watching across a road trip of sorts. Corey Feldman is the only youngster onscreen that I thought that I previously knew of, though I now see that Jerry O'Connell ('Kangaroo Jack', whatta film) appears - unrecognisable! The much more identifiable Kiefer Sutherland and John Cusack are in this too. As noted at the top, the cast are fine but work best as a collective. I was wondering all the way through if they were actually going to use the great Ben E. King track at some point, so you can imagine my happiness upon hearing those first few notes sneaking in at the conclusion. A fitting end, to a movie that my uncle has been recommending for a while - a generational favourite, evidently. I get it.
When an in-flight collision incapacitates the pilots of an airplane bound for Los Angeles, stewardess Nancy Pryor is forced to take over the controls. From the ground, her boyfriend Alan Murdock, a retired test pilot, tries to talk her through piloting and landing the 747 aircraft. Worse yet, the anxious passengers — among which are a noisy nun and a cranky man — are aggravating the already tense atmosphere.
Nora Moran, a young woman with a difficult and tragic past, is sentenced to die for a murder that she did not commit. She could easily reveal the truth and save her own life, if only it would not damage the lives, careers and reputations of those whom she loves.
A group of campers revolt against their strict camp director and take over the camp for themselves.
When the young, attractive Joe Orton meets the older, more introverted Kenneth Halliwell at drama school, he befriends the kindred spirit and they start an affair. As Orton becomes more comfortable with his sexuality and starts to find success with his writing, Halliwell becomes increasingly alienated and jealous, ultimately tapping into a dangerous rage.
Meg and Charles Wallace are aided by Calvin and three interesting women in the search for their father who disappeared during a government experiment. Their travels take them around the universe to a place unlike any other.
Based on the Vera Panova book about a complicated relationship between an 8-year-old boy and his new stepfather.
After being released from a juvenile detention center, Wellington finds himself alone and adrift on the streets of São Paulo, without any contact from his parents and lacking the resources to rebuild his life. During a visit to a porn theater, he encounters Ronaldo, a mature man, who teaches him new ways of surviving. Gradually, their relationship turns into a conflicting passion, oscillating between exploitation and protection, jealousy and complicity.
TV adaptation of the novel "Twenty-Four Eyes", combining animation with a few live-action scenes.
A quiet teen's life is shaken up when she's forced to be her arrogant neighbor's slave. He loves her, but they both have a lot to learn about trust.
An unauthorized continuation of the comic strip Peanuts that reimagines the characters as degenerate teenagers. Presented by OffTheLake Productions.