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The Man With The Rope Scar On His Neck! Three Hours to Kill is directed by Alfred Werker and written by Richard Alan Simmons, Roy Huggins and Maxwell Shane. It stars Dana Andrews, Donna Reed, Stephen Elliott, Richard Coogan and Dianne Foster. Music is by Paul Sawtell and cinematography by Charles Lawton Jr. As solid as a boulder in Death Valley, Three Hours to Kill is a most satisfying Oater for genre fans not expecting boundary pushing. Plot has Andrews as Jim Guthrie, who is wrongly accused by the town folk of murder and promptly condemned to death by lynch mob. Escaping the rope by the skin of his neck, Guthrie bides his time for three years before heading back to the town to clear his name and nail the real murderer. His friend, the Sheriff, gives him three hours to complete his task before the law intervenes. What unfolds is a whodunit led by Andrews as he interrogates and puts the squeeze on a number of the town's denizens. There's a deliberately downbeat tone that serves the story well, with lost loves, unfulfilled lives and haunted memories of past doings permeating the narrative. The psychological undertones and risque aspects of the story are tantalisingly -frustratingly so - left to just simmer, but mood befits question marks in the plotting to keep one engaged. Action scenes are in the main no more than competently handled, but a couple are quite striking to raise the pulses. When the pic moves out of the confines of the town, the locales (Lake Sherwood, Sherwood Forest, Hidden Valley in Calif) are most striking and leave you hankering for a more airy picture as a whole. Cast are fine, Andrews toughs up for good perf, but as lovely as Reed and Foster are (in fact Foster is socko gorgeous), they are undone by standard writing and Reed comes off as looking bored. The ending carries a nice surprise, two fold in fact, to close the deal on what is an above average Oater to be enjoyed as easy sampling by genre fans. 6.5/10
The rivalry between the manipulative boss of an advertising agency and her talented protégée escalates from stealing credit to public humiliation to murder.
A Foreign Service Officer in London tries to prevent a terrorist attack set to hit New York, but is forced to go on the run when she is framed for crimes she did not commit.
Infidelity, murder, and betrayal lies at the center of this violent Spaghetti western. A scheming wife does away with her husband, causing the man's heir to seek revenge. A number of double-crosses and bloody gun battles follow, eventually driving the woman to flee into the desert.
A young man is accused of rape and murder and placed on trial. His father doesn't believe that he is guilty, so in act of desperation he grabs the bailiff's guns and takes the whole jury hostage and insists that the prosecuting attorney re-investigates the crime that his son's accused of.
Married book-dealers Joel & Garda Sloane try to clear a friend in the murder of a rival book-seller.
When a defense lawyer's adulterous husband becomes the prime suspect in the murder of the woman he was cheating with, his wife chooses to defend him. Can she overcome his betrayal while searching for the truth?
A framed reporter and the crooks on his trail scramble to locate a book containing the names of American war profiteers and traitors who collaborated with the Nazis during the war.
Jeff Bailey seems to be a mundane gas station owner in remote Bridgeport, California. He is dating local girl Ann Miller and lives a quiet life. But Jeff has a secret past, and when a mysterious stranger arrives in town, Jeff is forced to return to the dark world he had tried to escape.
Soon after a veteran returns from war, his cheating wife is found dead. He evades police in an attempt to find the real murderer.
Libby Parsons, wrongly convicted for her husband Nick's murder, thinks he is still alive and wants to settle the score and find their son. As she has been tried for the crime, she cannot be re-prosecuted if she finds and kills Nick.
