The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
Here 2024 - Movies (Jan 16th)
The Calendar Killer 2025 - Movies (Jan 16th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
Happys Place - (Jan 18th)
Deadline- White House - (Jan 17th)
The Bidding Room - (Jan 17th)
Bargain-Loving Brits in the Sun - (Jan 17th)
A movie based on Saikaku Ihara’s “Five Women Who Loved Love”, which depicts women such as strippers and married women becoming hostesses in a pink salon.
It's called the House of Evils, where beasts in human flesh prowl the corridors and the most dangerous residents aren't the luscious inmates, but the predatory guards. For the crime of assaulting her lover, Saya Mizushima has been sentenced to three years in the most brutal prison facility in Japan. It wasn't supposed to be a life sentence, but unless the woman now known as Inmate 611 can learn how to hold her own against both the ruthlessness of her fellow inmates and the brutal harassment of the guards, she's got little chance of walking out with both mind and body intact. Stripped, shackled, but not yet broken, an international chain gang of red hot models and actresses lead by Akira Kiuchi, Harumi Nemoto , Youko Kamon, Yoshimi Asada and Kei Mizutani prepare to march into the flames of the damned in HELLHOLE: INMATE 611!
Koji grew up with a brother complex, constantly being compared to his successful older brother. The only place he could find solace was the bar called "Arles". One night Koji is provoked by Soma, a regular at Arles who smells similar to his brother. He is then sexually assaulted by Endo, one of Soma's henchmen. Koji somehow manages to escape. He finds Soma's home and swears to take his own type of revenge, making persistent silent phone calls. As the confident Soma becomes confused on the other end of the phone, Koji begins to get a type of enjoyment from the phone calls.
A wife gets a call from a man claiming to be from her husband's company. He tells her that he will come to pick her up on his behalf. But when he takes her to the hotel he locks her in a room and rapes her. The kidnapper then calls her husband but he doesn’t want a ransom. For reasons not yet known all he wants to do is to sexually humiliate her and to make sure the husband knows it.
A young and beautiful woman goes to stay with her "eccentric" brother in the country. He - a crazed millionaire painter - is entranced by his sister's beauty, the very reason they were separated in their youth. Unable to hide his yearning for his own flesh and blood, the lady of the house decides to take matters into her own hands to preserve her status...
Shinji is a middle-aged, sleaze film director who used to be famous. He hardly goes back home and moves from one woman to another. In spite of his idleness, women are very fond of him and look after him compassionately for whatever reason.