L'Équipier

Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.

Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.

A man named Farmer sets out to rescue his kidnapped wife and avenge the death of his son – two acts committed by the Krugs, a race of animal-warriors who are controlled by the evil Gallian.

A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.

Iranian Iradj Azimi directed this French historical drama re-creating events depicted in the famous 1819 painting The Raft of the Medusa by Jean Louis Andre Theodore Gericault (1791-1824). The ill-fated voyage of the frigate Medusa begins when it departs Rochefort for Senegal in 1816. After striking a sandbar off the African coast, 150 civilians row safely to shore, but Captain Chaumareys (Jean Yanne) orders 140 soldiers and sailors onto a raft (minus supplies) and has it cut loose. Only 14 survive from the 140, creating a scandal back in France. Gericault (Laurent Terzieff) later talks to three of the survivors while researching his painting. Work on this film began in 1987, but sets destroyed by Hurricane Hugo caused delays, so the film was not completed until 1990. However, it then remained undistributed until an incident in which writer-director Azimi slashed his wrists in front of French Ministry of Culture officials.

The story takes place in 1917. Véronique is a young woman of 35 years, nurse at the military hospital of Besançon. She suddenly learns of the murder of her husband, the mysterious Count Vorski, whom she has not seen for fourteen years. Her research will also lead her to the track of her father and son whom she believed to have died in a shipwreck, already a long time ago. From clue to clue, here we are in Brittany, on this island with a name so ill-fitting... Brutal deaths, enigmatic words written... by whom? A frightening prophecy, the superstitious terror of the island's inhabitants, and suddenly, Veronica d'Hergemont can no longer leave this island. She's stuck alone. Almost alone...

During the Cultural Revolution, two young men are sent to a remote mining village where they fall in love with the local tailor's beautiful granddaughter and discover a suitcase full of forbidden Western novels.

Matt Lee Whitlock, respected chief of police in small Banyan Key, Florida, must solve a vicious double homicide before he himself falls under suspicion. Matt Lee has to stay a few steps ahead of his own police force and everyone he's trusted in order to find out the truth.

Kati drives the VW bus of her parents even without a license quite fast. But what else should one do in the Bavarian province? Kati and her best friend Jo keep asking themselves this question when they philosophize about God and the world with the tip in one hand and the beer in the other hand. After all, Kati's swarm Mike has just come back from the Bundeswehr, but while she dreams of the great love, he seems to take the matter far less seriously. And there's only stress with her dad.

In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.

Paul and Paula have had bad experiences with love: Paul is financially well off but has lost all affection for his wife, and Paula leads a troublesome life raising two children on her own. They meet and discover a strong passion for each other. Life seems like a dream when they're together - but their short flights from the burdens of reality are once and again interrupted by Paul's ties to family and career.