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You feel more than a little sense of deja-vu watching this film. Sure, the plot is pretty standard, that's fine - it's the fact that the few action scenes there are are "borrowed" from other films. Maybe the production deadlines were just too tight; the weather maybe conspired against the filming schedule - or maybe Duke just broke a nail? Anyway, the plot centres around Wayne's "Sheriff Higgins" who whilst pursuing bank robbers shoots his friend - well, at least that's what he thinks... We know differently, and as he gradually gets over his grief, he starts to pick up the pieces and sets out to sort out the baddies. It's all pretty run of the mill stuff for the star, with Lucile Browne adding the glamour and a slightly flat Gabby Hayes not quite firing on all cylinders either. This film is no worse than many of the others Wayne was making at the time, and once it gets going it's entertaining enough - it's just really sloppily produced and edited and could never be described as anyone's finest work!
A cowhand named Bob Blake visits with Sally Thompson and her kid-brother, Jimmy, on their hard-scrabble homestead adjoining the Steele Ranch where Bob works. He learns that their father just died, and he plans on seeing if he can make things a bit easier for them.
Steve Packard is the ne'er-do-well son of an Arizona ranching baron. Upon his father's death, Steve returns from his days as a South Pacific beach bum to protect his father's estate, which has fallen into the hands of Steve's estranged grandfather. The grandfather's foreman, Joe Blenham, attempts to wrest the ranch from Steve's rightful inheritance, whether the means are legal or not.
Jimmy Wakely and Dusty, traveling with the medicine show owned by "Lasses" White, stop at the Ferguson ranch and find the rancher and his wife killed. They take the Ferguson baby to their camp, where outlaws Joe, Slick and Pete attempt to kidnap the baby, while Dusty is reporting the murders to Sheriff Beasley and town mayor Melinda Pringle. Wakely and his singers hide the baby from its legal guardian, Doc Judd Thomas, as they suspect him of being connected with the Ferguson murders.
Judge Jim Scott must contend with the vicious relatives of a murderer he's about to sentence...and his unfaithful fiancee.
Jerry Johnson inherits a 50,000 acre ranch. Lucky Miller wants to take over the ranch. Roy is trying to get a railroad spur right of way. Lucky has a woman come west to marry Jerry to get control of the ranch. After the wedding, Lucky has the owner killed. Roy’s gun is substituted for the murder weapon, so Roy is put in jail.
A man who's a dead ringer for the leader of an outlaw gang kills the gang leader, then takes his place to try to bring the gang to justice.
Ageing, wealthy, rancher and self-made man, George Washington McLintock is forced to deal with numerous personal and professional problems. Seemingly everyone wants a piece of his enormous farmstead, including high-ranking government men and nearby Native Americans. As McLintock tries to juggle his various adversaries, his wife—who left him two years previously—suddenly returns. But she isn't interested in George; she wants custody of their daughter.
When Rocklin arrives in a western town he finds that the rancher who hired him as a foreman has been murdered. He is out to solve the murder and thwart the scheming to take the ranch from its rightful owner.
The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.
Ken McLaughlin is a precocious 10-year-old who lives with his family on a remote Wyoming ranch. When Ken returns home from school with failing grades, his father, Rob, blames the boy's lack of personal responsibility. At the suggestion of his wife, Nell, Rob allows Ken to choose a single colt from the herd to raise as his own. Much to his father's dismay, Ken chooses a fiery mustang filly - but the two soon become fast friends.