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Possibly there are more things in heaven and Earth than are dreamed of in your psychiatry, Mr. Garth. Five years after Universal launched a Bela Lugosi inspired Dracula upon the film loving world, the sequel arrived - only not with Lugosi's Count Dracula in it. Pic picks up at the end of the 31 film and finds Von Helsing (yes Von, not Van) under arrest for the slaying of the toothy vampire. Enter Contessa Marya Zeleska, who sets in motion the wheels of vampiric legends and torrid passions about to be exposed. There's an ethereal low-key mood to Dracula's Daughter, exuding the sort of atmosphere that Val Lewton would hone and trademark within six years. It's a beautifully photographed movie (George Robinson), while there's some neat touches in the screenplay - such as lesbian overtones and the fact our vampire lady is very sympathetic due to her searching for a cure to her ills. However. The play is over talky and very bloodless, it's like the makers forgot to actually put some horror aspects into the piece. There's also an odd blend of humour and drama which never sits right, while the ending is abrupt and disappointing. It's a nice film, a nice production, but nice is a word that really shouldn't be on your lips given the history of the source materials. 6/10
This simple romantic tragedy begins in 1957. Guy Foucher, a 20-year-old French auto mechanic, has fallen in love with 17-year-old Geneviève Emery, an employee in her widowed mother's chic but financially embattled umbrella shop. On the evening before Guy is to leave for a two-year tour of combat in Algeria, he and Geneviève make love. She becomes pregnant and must choose between waiting for Guy's return or accepting an offer of marriage from a wealthy diamond merchant.
Sir Wilfred Robarts, a famed barrister is released from the hospital, where he stayed for two months following his heart attack. Returning to the practise of his lawyer skills, he takes the case of Leonard Vole, an unemployed man who is accused of murdering an elderly lady friend of his, Mrs. Emily French. While Leonard Vole claims he's innocent, although all evidence points to him as the killer, his alibi witness, his cold German wife Christine, instead of entering the court as a witness for the defense, she becomes the witness for the prosecution and strongly claims her husband is guilty of the murder.
Agatha Christie tale of a man on trial for murder: a trial featuring surprise after surprise. Not to be confused with the later Hollywood adaptation.
Helen lives in London with her father and her kids. John, her husband, is an aid-worker in Eastern Europe. He has been gone many months. Helen is desperately anxious that he should come home. Taking the kids to school one morning, she is killed in a car accident. She remains caught in limbo, trapped between life and death. Many miles away, in war-torn Eastern Europe, John is unaware that his wife has died. As Helen herself is unaware that she is dead. Thus begins, a four-day Odyssey: Grandpa and the kids must come to terms with Helen's death; John must travel across a war-torn land as he tries to reach home; and Helen must stand helplessly observing her own existence as it comes back to haunt her - until at last she is reconciled with John, and thus released.
As Constance (Natasha Richardson) and Nina (Toni Collette) gather at the deathbed of their mother, Ann (Vanessa Redgrave), they learn for the first time that their mother lived an entire other lifetime during one evening 50 years ago. In vivid flashbacks, the young Ann (Claire Daines) spends one night with a man named Harris (Patrick Wilson), who was the love of her life.
Jimmy Kilmartin's an ex-con who's trying to go straight. But he can't say no to a quick driving job because his so-called friend's life is threatened. The job is for Little Junior Brown, a violent and powerful villain. When things go wrong, Jimmy is left to do the time, and his whole life is turned upside-down, but if that wasn't enough, the cops won't leave Jimmy alone when he gets out... They want Little Junior Brown.
In Acapulco, Hercule Poirot attends a dinner party in which one of the guests clutches his throat and suddenly dies. The causes seem to be natural until another party with most of the same guests produces another corpse.
Amelia returns to her old home with her adopted children, Alani and Vito, as she prepares for childbirth. Advised by Dr. Imam to transfer hospitals for safety, she agrees, but soon discovers a conspiracy between the doctor and the hospital. Alani, Vito, and Bara must fight to save Amelia and her baby from growing danger.
A desperate socialite seeks her missing husband, troubled by bad investments and debts, with help from a private eye and the high-priced call girl hubby had been seeing.
When the Love Is Gone is a 2013 Filipino romantic drama film directed by Andoy Ranay, starring Cristine Reyes, Gabby Concepcion, Alice Dixson, Andi Eigenmann, and Jake Cuenca. The film is distributed by Viva Films with co-production of Multivision Pictures and was released November 27, 2013 nationwide as part of Viva Films' 32nd anniversary. The movie is a remake of the 1983 blockbuster movie directed by Danny Zialcita entitled Nagalit ang Buwan sa Haba ng Gabi which stars Dindo Fernando, Gloria Diaz, Laurice Guillen, and Eddie Garcia.