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Would it have made a difference knowing what I really am? This is the true story of the Reno brothers....Clint, a respected farmer, and Frank, Simeon, John, and Bill...who were the first train robbers in American history. Looting, burning and killing, this infamous clan rode through the middle border states setting the pattern for the great outlaw bands which were to follow: the James boys, the Daltons and the Youngers. The Year 1866, the place is Southern Indiana. Well not quite Indiana exactly as the film was shot on location at Columbia State Historic Park, and apparently some Western purists see this as a blip on the movies Western worth! (hmm) I don't conspire to that at all since what I want from a B Western such as this is a lush Western feel, with identifiable good and bad guys. I feel that director Tim Whelan achieves the latter and his cinematographer Ray Rennahan achieves the former. Rage At Dawn does have a sense of seen it all before about it, but that's not in detriment to it because it's possibly a picture that has been copied more than it has copied from others before it. It's nice to have a real solid Western using a proper and reliable story to work from. While using top professional actors like Forrest Tucker and J. Carrol Naish to be bad fellas obviously helps the piece; as does having the genre legend that is Randolph Scott as your ebullient good guy. Scott fans who haven't seen the picture should be advised, tho, that he isn't actually in the film for the first third. But as always he's worth the wait and it's clever of Whelan to keep us waiting whilst fully forming the Reno legend. With some nicely staged set pieces (the train scenes are well worth our time) and a fabulously dark turn of events in the finale that goes against the grain (shadow play supreme at work), this becomes a genre film well worth taking a peek at. 7/10 Footnote: DVD/Public Domain prints of the film are low on quality and do not do justice to the location and costuming. The best print I have seen of this film was on Commercial British TV. Caution is advised on where you source the film from.
When a vengeful New York transit cop decides to steal a trainload of subway fares, his foster brother—a fellow cop—tries to protect him.
In 1870, Japanese ambassador Sakaguchi and his entourage travel by train to Washington to deliver a valuable sword to the President of the United States, a gift from the Emperor of Japan. On board the same train are two robbers, Link and Gauche, ready to make their move…
After escaping from jail, outlaw Wes McQueen is convinced by his old partner in crime to do one last heist.
The lives of Calcutta's most powerful gangsters - Bikram and Bala, changes when Nandita enters it. Then a counter-force takes charge and a thriller unfolds.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
Heading east to Fort Worth to hire a schoolteacher for his frontier town home, Link Jones is stranded with singer Billie Ellis and gambler Sam Beasley when their train is held up. For shelter, Jones leads them to his nearby former home, where he was brought up an outlaw. Finding the gang still living in the shack, Jones pretends to be ready to return to a life crime.
The Dalton gang escape to a nearby town after a train robbery goes south, but they are met by a coven of witches with sinister plans for the unsuspecting outlaws.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
Rex, Slim and the boys are fired by a wealthy rancher but decide to help him out when his daughter intends on marrying a shifty, gold-digging actor. Meanwhile, the rancher's foreman executes plans for a train robbery.
Old West highwayman Bill Miner, known to Pinkertons as "The Gentleman Bandit," is released in 1901 after 33 years in prison. A genial and charming old man, he re-enters a world unfamiliar to him, and returns to the only thing that gives him purpose — robbery.