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Cause of Death - (Nov 14th)
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**An iconic, culturally significant film that helped immortalize James Dean.** This is one of those classic films when the theme is teenage rebellion and generational clash. It is undoubtedly good, with a good story and good actors – it is the film that marked James Dean's short career – and continues to be a regular presence in classics cycles and specialty TV channels. The film explores quite well the difficult relationship between parents and their children within the wealthiest families, and the way in which this tension has a decisive influence on the latter's delinquent behavior. Living in homes where there is truly no love, but rather a well-organized routine, and where parental care is limited to material goods and the act of giving things, these young people accumulate a revolt that they need to express through pranks and mischief that parents choose to ignore or consider that they are the consequences of harmful influences. The fact that they are children of rich parents only makes their devilry more elaborate: this is the case of racing with stolen cars. How many angry teenagers with rich dads continue to do similar things? Expertly directed by Nicholas Ray, the film had a high budget that allowed for quality production values. The cinematography is excellent, the sets and costumes couldn't be better (I especially liked Dean's parents' house and the abandoned mansion where part of the final scenes take place) and the cars used are beautiful. James Dean's hair and costume were decisive in youth fashion at that time, and the soundtrack accompanies everything with distinction and discretion. However, what decisively marks this film is the excellent quality of the cast and their work, particularly the excellent performance achieved by James Dean. He is absolutely credible in the role he was given, despite being a little older than his character. The opening scene is worthy of an anthology, but also that fight with razors that takes place near the Griffith Observatory. Natalie Wood is also not far behind: she was then more or less the right age and had the necessary talent, as well as being very beautiful and charismatic. Sal Mineo plays a highly dramatic role, and his participation in this film is one of the highlights of his career. Finally, a note of praise for Jim Backus and Marietta Canty, who made good contributions to the film in slightly less valued roles. A curious note that I just noticed: the three main actors in this film have in common the fact that they died before the age of forty-five, and each had a mysterious and violent death. Everyone knows that James Dean saw his life taken as a result of an unfortunate car accident, a few months after this film was made. However, in 1976, Sal Mineo followed, stabbed to death during a robbery at his home. A few years later, in 1981, it was the turn of Natalie Wood, who drowned in more than strange circumstances, during a yacht trip off the Californian coast.
Police find a girl with a bleeding face in a small town park at night. First the girl, a textile factory worker Jana, refuses to talk, and then she decides to tell the truth. After her father's death she, by herself, takes care of her younger brother called Pinda. She does not like the influence that a gang of older boys from the factory exercise over her brother. The gang leader Jirka, called King, is admire by local girls whose number exceeds boys in the town because there are many textile factories where only girls are working. They easily yield to him and then he easily gets rid of them. Jana is a hard nut for him. She refuses his purposeful courtesy and thus she unintentionally gets his attention. King inspires the gang on how to get money by stealing textile from the factory warehouse.
A stuntman who dabbles as a petty thief for corrupt policemen decides to quit. His bosses do not let him go but, instead, he is tortured. His consistent brushes with the law earn him a prize on his head and attention from a daily.
Through the eyes of two 12-year-old boys, the sexual revolution arrives in a conservative and religious small town in Northern Finland.
Jake, a college drop out, along with his friends decide to take their homophobia to a whole other level when when they decide to download a gay oriented social media app where they would lure and attack innocent victims. Noah, a just coming to terms gay teen, doesn't know who to talk to about his feelings and turns to the same social media app the attackers use on their prey. Told from both perspectives of the main characters and a chilling conclusion that will alter everyone's lives forever.
The second film in Shin-Ei's series of annual WWII themed anime television movies for children "Sensou Douwa".
Amparo is 18 years old and lives in the city of Iquique, in northern Chile. Among confusion, she must deal with the discovery of her father's secret life, feel love for the first time, decide whether to leave her hometown to study, and even realize that perhaps friendship is not meant to be forever.
On the eve of his Bar Mitzvah, young Elliot finds that all the grown men in his life are somewhat wanting.
Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.
In a house with a plethora of imagination and old mannequins, David waits day after day for the arrival of his brother Pedro, who brings a touch of reality.
In a world where everyone is born blind and when they turn 15 years old, people get the sight for the first time, Leonora is trying to find herself, while adapting to a new world.