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When a young girl wants to join a gang of four lads who play around New York's "Hell's Kitchen", she finds she gets more than she bargained for when a warehouse accidentally catches fire. Rather than name his associates, the young "Marty" takes the rap and is sent to the reformatory school. Skip on twenty years and he (Victor McLaglen) is now a successful nightclub owner, she (Beatrice Roberts) sings at his club, and every six weeks the whole gang reconvene. When a dodgy gambler bounces a cheque, "Marty" sends his henchmen to get his dough but that all goes a bit pear shaped, the man is accidentally killed and it falls to two of the other members of their gang, brothers "Mike" (William Garage) and "Joe" (John Gallaudet) from the city's emergency squad to investigate. Tragedy ensues, and the trail leads fairly and squarely back to "Marty". The story is a shade more complex than your usual gangster flick. There is some attempt to develop some of the characters here, and they are imbued with a sense of loyalty as the story develops. The ending is a bit rushed, but it fits entirely with the sentiment of the movie extolling the virtues of friendship and trust. The acting is all adequate - a totally straight role for McLaglen - and it's a surprisingly decent hour long feature to watch.
A man who escaped from a prison comes to his inmate's village to find his wife, after having been told how wonderful she is. He hides at her place only to find out that she receives "night visits" from the village men. He starts a killing spree, causing panic among the locals.
Years after his father disowns his adopted brother for marrying a woman of lower social standing, a young man goes on a mission to reunite his family.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
Documentary drama Partisan Priest is based on the dramatic life story of Slovenian priest and partisan Jože Lampret. All his life, this uncompromising fighter for justice and equality strived to reconcile the irreconcilable: Christian practice and international socialism. In the end, he was betrayed by both – not the ideas, but by those who saw him as the enemy or merely the means to get what they wanted. A story which indirectly reflects the present day.
The life and struggles of a notorious rock musician seeping into a pit of loneliness whose everyday life involves friends and family seeking financial aid and favors, inspired by rock music legend Kurt Cobain and his final hours.
Katie, a 17-year-old, has been sheltered since childhood and confined to her house during the day by a rare disease that makes even the smallest amount of sunlight deadly. Fate intervenes when she meets Charlie and they embark on a summer romance.
When a young fisherman with a hidden talent gets discovered by a music producer, he must decide if he's ready to open himself up to stardom — and love.
A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.
