Buxom Beautease

A cop clashes with his priest brother while investigating the brutal murder of a young prostitute.

"Films Confiscated from a French Brothel" is a bare all Avant-garde Anthology homage to silent stag films.

Four girls in search of thrills find more than they bargained for when they get caught in a vice trap with no escape.

Much of Hunter's fame was built upon her resemblance to Marilyn Monroe; indeed, her Playboy pose was obviously inspired by Monroe's notorious 1949 nude photo session with Tom Kelley from which her own Playboy photo came. The similarity in look between Hunter and Monroe also came into play when a nude Hunter starred in a film short called Apple Knockers and Coke. For many years there have been those who have seen the film and have mistaken Hunter for Monroe.

Four young women change a flat tire and, feeling hot and bothered, leave their car to go take a swim in the ocean..... and their underwear is less revealing than one-piece bathing suits. While they are frolicking in the surf, a young Black girl comes by and steals their pretty clothes.... and their car has mysteriously vanished, leaving them the grim prospect of having to walk home.... although somehow I imagine some kind man would be happy to pick them up.

Reclining on her chaise lounge in a see-through robe, Lili St. Cyr decides she needs a bubble bath. In a gilded tub fit for Marie Antoinette, she bares all that the law will allow. Then she squeezes into an evening gown and mink coat to paint the town red.

A hippie drops acid with two chicks and goes on a weird trip.

A short performance by Bettie Page.

A bunch of hippies have a wild party.

Lili St. Cyr is about ready for bedtime, which of course she does in the nude. Live stage performance includes chorus girl act, The Folliettes, and the dance team The Duponts.

"Trasferimento" takes up the erotic theme of 8mm films and manipulates it using development techniques studied in early 16mm cinema. The regression that emerged only later in the re-reading of Macrozoom is here contemporary with the filming itself, which is in fact a re-interpretation of other cinematic material . The film’s process consists precisely in transferring, through technique, certain expired yet traumatic data into existence. The sexual act is explicit, and the material itself is a film. He seems concerned with reconnecting to the moment of his own conception, and here he is very close to it. (M. Bacigalupo)