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The thing that got me about this film is that the four boys here would have no issue at all getting a playmate. My favourite was either Chris Klein ("Oz") or "Kevin" (Thomas Ian Nicholas) depending on my mood - but the fact they all get caught up into this almost puerile, faux-angsty existence really bored me. The girls are equally stunning most of the time, and just as (if not more) sexually curious - what's the beef? The script/humour plays to just about every stereotype imaginable: the sporty jocks and the dimwit broads; the parents who react to their offspring's sexual predilections as if they, themselves, had never had a shag in their lives. The characters are so shallow and have enough implausibly intense conversations about scoring that makes you want to reach for a pen-knife to put a notch on the bed-post (or a hole in your own left leg). Seann William Scott and Jason Biggs (OK, maybe I understand why he struggles to get laid) take "Carry On" style innuendo to a new level of cringe-making embarrassment and the ending really does makes the "Graduate" look like Fellini! The production is shamelessly chauvinist - there is no male nudity - but plenty of boobs and I thought it had dated really badly. Sorry, but much of this just made me squirm!
Ahh how it all started. I was a teen boy growing up when this movie came out. I related to this movie in so many ways. Love it!
Best friends Sophie and Agatha navigate an enchanted school for young heroes and villains — and find themselves on opposing sides of the battle between good and evil.
Sugihara, a Japanese-born, third-generation Korean teenager struggles to find a place in a society that will not accept him.
Deadpan and 18, Stacey grapples with romantic feelings for her hardened older sister Angela.
Olive, an average high school student, sees her below-the-radar existence turn around overnight once she decides to use the school's gossip grapevine to advance her social standing. Now her classmates are turning against her and the school board is becoming concerned, including her favorite teacher and the distracted guidance counselor. With the support of her hilariously idiosyncratic parents and a little help from a long-time crush, Olive attempts to take on her notorious new identity and crush the rumor mill once and for all.
Sasha is a young vampire with a serious problem: she's too sensitive to kill. When her exasperated parents cut off her blood supply, Sasha's life is in jeopardy. Luckily, she meets Paul, a lonely teenager with suicidal tendencies who is willing to give his life to save hers. But their friendly agreement soon becomes a nocturnal quest to fulfill Paul's last wishes before day breaks.
Pasquale Baudaffi, on amnesty, comes out of prison and starts looking for a job with the help of his cousin Gaetano. But first he goes to what was once a brothel, but, unbeknownst to our hapless hero, has been taken over and rented as a dental office. Pasquale finds himself at the center of endless misunderstandings. He tries to be a gamekeeper but that's not okay, he tries to be a waiter in a bar: he immediately gets his orders wrong and he is fired. His performance as a garage keeper was negative. The very latest experience is in an electronics company but its insertion into the futuristic mechanism triggers the craziest complications. The encounter with a lost dog allows him to get to know his mistress and thus discover the woman of his life.
Awaiting his girlfriend Léna’s arrival at the Breton seaside resort of Dinard, Gaspard befriends—and flirts heavily with—two other women, the companionable ethnology student Margot and the sensual townie Solène, making for a rather complicated situation when Léna finally arrives.
Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an honorable woman. If he wins, he can have his lover to do as he will. However, in the process of seducing the married woman, Valmont falls in love.
“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.
A modern-day take on the "Beauty and the Beast" tale where a New York teen is transformed into a hideous monster in order to find true love.
Three moments in Takaki's life: his relationship with Akari and their forced separation; his friendship with Kanae, who is secretly in love with him; the demands and disappointments of adulthood, an unhappy life in a cold city.