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Original Sin (2001) starts off strong with an intriguing setup, stylish cinematography, and some well-framed wide shots that give it a classic, almost dreamlike feel. The direction is solid in the first act, pulling you into a world of mystery and romance, but as the film progresses, it starts to feel a bit uneven. There are moments where the storytelling builds tension effectively, but then it stumbles with some forced scenes that don't entirely fit the character arcs. The script is melodramatic, leaning into its themes of obsession and betrayal, though it sometimes feels more like it's trying to be provocative rather than meaningful. Angelina Jolie carries the film effortlessly, giving a performance that elevates even the weaker parts of the script. Antonio Banderas does well too, but his character feels more reactive than driving the story. The chemistry is there, but certain scenes, especially one in particular, feel out of place given the way the characters were set up earlier. The score complements the film's mood but isn’t particularly memorable. Overall, Original Sin is a stylish but flawed film that keeps you watching, even if it never fully delivers on its initial promise.
Romeo Montague and Juliet Capulet fall in love against the wishes of their feuding families. Driven by their passion, the young lovers defy their destiny and elope, only to suffer the ultimate tragedy.
Foon escapes an arranged marriage by walking the road of a Ji Sor. After an affair with Shing, she becomes pregnant. An attempted abortion nearly costs Foon her life. Wan, the young owner of a silk factory, rescues her. Wan and Foon share their romances, reflecting the experience of women during the 40's.
When asked for her real name, the feisty woman in a rural whorehouse would quip, "Ligaya. It means joy. And that's what I sell." Yet the small-town prostitute is not resigned that she would be in the flesh trade forever. She still harbors the dream of getting out of the job someday. She saves money and fancies that someone would come and marry her as if she were clean and never been a whore. That becomes almost a reality when a hardworking farmer enters her life. Under some problematic circumstances, her chances get blown away-but not exactly of her sole doing.
Arriving in Taiwan in the 1950s, Kuei-mei makes a disadvantageous marriage to a widower with three unruly kids and a bad gambling habit. Beautifully portrayed by celebrated actress Yang, she weathers pregnancies, her husband's infidelity, her daughter's resentment, a stint as servant in Japan, divorce, and illness while struggling to keep the family restaurant business afloat.
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.
An emotionally-beaten man with his young daughter moves to his ancestral home in Newfoundland to reclaim his life.
Thomas, the son of a prison warden, falls for Martin, one of the prison inmates. After Martin is released, they try to build a relationship and a life together but, no one will leave them alone.
Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered - a crime she had described in her latest story.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.