BU・SU

Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.

In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.

A passionate telling of the story of Sada Abe, a woman whose affair with her master led to an obsessive and ultimately destructive sexual relationship.

Based on the original work of Akutagawa Prize-winning writer Ashihei Hino, the film depicts the love of the proud geisha Nobukichi Hakata in the early Taisho era.

Japanese gangster drama set in the exclusive Ginza district of Tokyo, following Haruka (Atsuko Sakuraba), a young geisha who is attacked by an influential businessman who plans to abduct her. When she is rescued by the members of a club called 'Utopia', Haruka joins them and becomes a hostess, rapidly establishing herself as one of the most sought-after geisha's in Ginza. At the same time, Haruka learns of a plan by a corrupt, gangster-owned club to set itself up as a rival to Utopia. Such is her loyalty to the club that first helped her, she is willing to do anything to protect it.

In a continuation of "Utopia: Midnight Story, White Flower Bud" Haruka Ichijou follows through in her vow to become the No1 Geisha. She develops intricate schemes and mindful manipulations in changing her "Papa-san's," or Sugar Daddies, on her way up the modern geisha ladder. After she pits one against the other, the men begin to compete for her in elaborate and very expensive ventures, and their fight to win her for their prize in all-consuming frenzy becomes the focus for the No1 Spot. A barrage of young geisha's karate fighting seals their fate at last!

Yokiro was the most successful Geisha house in Western Japan during the first half of the 20th century and remains open to this day. At its peak, it was home to over 200 geisha, however behind the fabulous facade, there were many battles - between family members, men and women, and with the Yakuza. Momokawa was sold to Yokiro at age 12, and despite being the top geisha, her many complicated relationships provide unending challenges throughout her glamorous but turbulent life.

With delicate, unobtrusive strokes, Naruse evokes both the humor and bitterness of his characters’ dilemmas, in this bleak, compelling poignant portrait of a quartet of aging geishas contemplating their troubles with men and money.

A modern geisha travels through Japan trying to find a job as entertainer, and ends up by finding love and a job as ama, a pearl diver.

Eiko seeks out Miyoharu, a geisha, and asks to be her apprentice. When she is ready to receive clients, both women want the right to refuse certain men.

Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.