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There's little point in outlining the plot here - it's not what the film is about. It is the combination of characterisations and the wonderfully witty writing of Oscar Wilde that make this a thoroughly enjoyable film to watch. It makes no bones about it's theatrical origins - even featuring a curtain at the start and the finish, and that sets us up for a cracker of a comedy that swipes at snobbery, pomposity, crass stupidity, deception and offers us a tour de force effort from the inimitable Dame Edith Evans ("Lady Bracknell"). Anthony Asquith has created a delightfully honest interpretation of the play - the dialogue is pithy and quickly paced, few lines are wasted and the talents of Michael Redgrave, Michael Denison, Dorothy Tutin, the perfectly cast Joan Greenwood as "Gwendoline" and Margaret Rutherford as the prim "Miss Prism" combine to give us a genuinely laugh-out-loud series of scenarios that are a joy to behold. It's colourfully set, the costumes a delight (though, I felt seriously gaudy at times!) and the comically timed mannerisms, gestures and charisma of the performers is great, too. It is rare for a piece of theatrical comedy to transfer so effortlessly to the big screen, but here it all looks so very natural...
A film director turns his actress wife into a star, leading to marital problems.
After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Kannan (Dileep) is the son of a fashion weaver Ayyapanashan (Babu Namboothiri). His father has sent him for fashion designing,but Kannan wants to make more money easier. His friends are Yesudas a.k.a Yesu (Lal),a goonda and Vasu (Kalabhavan Shajon).
On the way to a party, a British couple dissatisfied with their marriage recall the gradual dissolution of their relationship.
Three men vying for the same job end up chasing the same girl in this comedy-drama from noted Japanese director Yasujiro Shimazu.
Break-dance trash musical comedy/parody based on William Shakespeare's Romeo & Juliet.
Two escaped cons' only prayer to escape is to pass themselves off as priests and pass by the police blockade at the border into the safety of Canada.
Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.
