I wonder just how many blokes in 1970s Scotland left home, routinely, every morning claiming to go to work when all they actually did all day was wander the streets killing time until it was safe to go back home, or until the expected pay-day loomed but the cash didn't materialise! That's what "Bunny" (Jon Morrison) is doing until he encounters the "Flower of Scotland" whistling "Jody" (Billy Connolly). He's just about to hit forty and has a similar story to tell, so the two spend the day together sharing a bottle of cheap plonk and having some adventures - real and imaginary. Written using some enjoyable vernacular, the script allows both men to become friends whilst the older one dispenses some sagely comments on life, love and the pursuit of happiness. It is a comedy, and the whole presentation is light-hearted but it still packs a punch as the younger man starts to think a little more of his life and his choices using "Jody" as a template for what might be to come. Indeed, the question might be for the young "Bunny" is whether or not his own future is as inevitably set in stone as that of his new friend. There's a good chemistry between the two men here, some daft antics and I also remembered playing invisible cowboys and indians with my dad as a child (only for us it was more Redcoats and Highlanders). It's quite poignant at times and with just the two men and a wet and wooded hillside to frame it, it makes for an entertaining and well acted, occasionally thought-provoking, look as life through a prism of pessimism tempered with reality,
A young boy must relearn piano in order to rekindle the broken relationship between him and his mother.
A cordial parents evening at a secondary school descends into accusations and chaos when a teacher finally meets the mother of his difficult student.
It is the year 2028 and antibiotics are no longer effective. A corporation called Lifeline has invented a health chip which everyone can get for free via the NHS. You can buy an upgrade which is effective against more infections and diseases. In 2028 computing and processing power is restricted however for someone to have an upgrade some one has to die for the power to be transferred. People are dieing randomly. Lifeline are launching their 2nd upgrade which is expected to earn them billions along with their ministerial backer. Daniel Avery has lost his wife and daughter in such circumstances and recent nightmares and flashbacks have instigated him to investigate. He slowly uncovers the truth with the help of a rebel group of the pull for power and greed that goes right to the top.
Elena Wolff submerges into the turbulent world of the young, up-and-coming art scene of Linz. In a series of episodes, Asche tells of three couples and an outsider, of alpha males and muses, of loneliness, and the urge for self-realization. In doing so, this pop satire of the art world exercises a high-volume criticism of both patriarchy and the cultural scene—including unexpected vendettas and bizarre encounters.