Heretic 2024 - Movies (Jan 21st)
Elevation 2024 - Movies (Jan 21st)
Werewolves 2024 - Movies (Jan 21st)
Treasure 2024 - Movies (Jan 21st)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Bonhoeffer Pastor. Spy. Assassin 2024 - Movies (Jan 21st)
Sniper The Last Stand 2025 - Movies (Jan 21st)
Nosferatu 2024 - Movies (Jan 21st)
The Damned 2024 - Movies (Jan 21st)
Sonic the Hedgehog 3 2024 - Movies (Jan 21st)
Smile 2 2024 - Movies (Jan 20th)
Standing on the Shoulders of Kitties The Bubbles and the Shitrockers Story 2024 - Movies (Jan 20th)
From Ally to Zacky 2024 - Movies (Jan 20th)
Murder at First Swipe 2024 - Movies (Jan 20th)
The House 2024 - Movies (Jan 20th)
The Substance 2024 - Movies (Jan 20th)
The Outrun 2024 - Movies (Jan 20th)
Love Over Money 2024 - Movies (Jan 20th)
Manhunt - (Jan 21st)
Deadline- White House - (Jan 21st)
The Tucker Carlson Show - (Jan 21st)
Someday at a Place in the Sun - (Jan 21st)
QI - (Jan 21st)
The One Show - (Jan 21st)
Katy Tur Reports - (Jan 21st)
The Bidding Room - (Jan 21st)
Winterwatch - (Jan 21st)
The Chase - (Jan 21st)
Dogs Behaving (Very) Badly - (Jan 21st)
Inside the Factory - (Jan 21st)
Deal or No Deal - (Jan 21st)
Chris Jansing Reports - (Jan 21st)
Worlds Most Evil Killers - (Jan 21st)
Andrea Mitchell Reports - (Jan 21st)
Junior Bake Off - (Jan 21st)
Fist of the North Star - (Jan 21st)
Family Feud Canada - (Jan 21st)
Son of a Critch - (Jan 21st)
A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)
In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.
If you’ve seen Top Gun or Transformers, you may have wondered: Does all of that military machinery on screen come with strings attached? Does the military actually get a crack at the script? With the release of a vast new trove of internal government documents, the answers have come into sharp focus: the US military has exercised editorial control over thousands of films and television programs. As these activities gain new public scrutiny, new questions arise: How have they managed to fly under the radar for so long? And where do we go from here?
The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.
Günter Walcher, 40-years-old, is a hardworking, apolitical West German businessman caught in a moral conflict. He is offered a promotion to become the head of a division—on the condition that he find a reason to fire Zacharias, a communist and the work council chairman.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
Peer through the lens of a high profile political dissident, banished from the online world. After introducing the viewer to each of the five characters, the film recounts how each individual then came to lose their access to social media and the affect it had on them at the time, and since the event. With their stories told, they present the broader issues raised by their media de-platforming and what they foresee in their future in media and the whole of Western Culture at-large.
Inspired by the woman who edited "Man with a Movie Camera" (1929), "Woman with an Editing Bench" reveals the personal impact of Stalin’s censorship of cinema on a woman navigating politics, bureaucracy and the impetuous outbursts of collaborators to create something beautiful despite the odds.
When does art become obscenity? Cover Your Ears takes a close look at this question through the lens of the past 100 years of music and the ever-evolving discussion of legal and moral lines in the industry