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I had low expectations when I entered the theater to see the 5th installment of the FD series, because the 4th movie was such a disappointment. But after watching it, I was surprised. First off,this movie was way,( and I mean), way better then the last two movies were. It was darker and had a lot of elements from the first movie, which I loved. I don't want to give away too much, but I do want to say that the last scene of the movie will leave you speechless. It had me thinking, "OMG, that was AMAZING how they came up with that twist." One last thing I loved about this movie was that it was well planned out and thought of, unlike the forth movie which was a joke and in my opinion, shouldn't have never been made. The deaths weren't rushed as opposed to the deaths in the forth movie, and it gave more screen time to introduce us to the characters. Note: I will say that there is one death scene in the movie that I didn't see coming, besides the ending. I recommend you see this movie. It might have the same theme as the first four movies, but unlike the first four, it's on a much higher scale.
It's not actually final... You can just imagine the suits sitting around their big round table discussing how to churn out another financially beneficial Final Destination movie and get away with it. Big suit number one puts forward that they obviously need more inventive mouse trap like deaths. Big suit number two has the genius notion that 3D is again taking off so why not utilise that option too. And that's pretty much all that it took, with the end result being a movie that is very self aware of its roots, but still plays out as the runt of the Final Destination litter. Just as the director of the first one, James Wong, was brought back to direct part 3, the makers here bring back the director of part 2, David R. Ellis, to direct part 4! Which ultimately proves to be nothing more than some sort of nepotism like factor because The Final Destination is basically just over 82 minutes of poor acting, bad writing and a series of kills weaved together by the odd 5 minutes of barely relevant characterisations (the exposition as painful as the gory deaths!). The kills entertain as they pretty much always have throughout the franchise, with the opening disaster sequences (here set at a speedway stadium) continuing one of the series' great traditions. While the opening and closing X-Ray/Skeletal credit sequences are superb and a credit to those involved. Yet it all feels so tired, where in spite of the willingness to upgrade the technology, it's still lazy and has nothing to really justify its very being other than that to make easy money. The makers of part 5 would have to come up with something special to not turn this franchise from being one that was once bright and inventive, into that of a money train joke. 4/10
For some reason this one is named The Final Destination instead of Final Destination 4. Almost looks like they expected this installment to be the final in the series but since the 5th one is about to come out on Blu-ray that was obviously a wrong assumption in that case. A positive surprise. Most people have said that the second third and fourth film slipped compared to the first one and it wasn’t until the fifth film that the series took off again. Well they’re wrong in my opinion. This installment was a lot better than the third one. Sure if you do not like gory horror movies then you wont like this film but then why did you even bother with it? Me, I like these kind of films so I was quite happy to see it. The special effects was much better than the previous film and not so silly and stupid as they sometimes where in the third one. I liked the ending as well. Classical horror movie style ending and really cool touch with those x-ray shots.
***More of the same, but with one of the better ‘final girls’ and superior music*** The first "Final Destination" movie in 2000 was a rather innovative 'Dead Teenager Movie' in that the killer was Death itself, an invisible spirit. A group of people, mostly teens, escape a great tragedy due to a premonition of one of them and the rest of the movie involves the Grim Reaper systematically slaying the kids who cheated Death in various creative ways, usually an unlikely chain of events. The opening tragedy in the first film was a plane crash, in the second it's a highway pile-up, in the third it's a rollercoaster mishap while in this fourth entry it’s a tragedy at a racetrack. The fifth film (2011) features a bridge collapse. All of the movies in the five-film franchise tell the same basic story with different characters and minor nuances; all of them are of the same high quality of technical filmmaking. Whether you prefer one or another depends on your preference for cast members and the death sequences (and the locations). Other than these factors they're all basically the same. Released in 2009, "The Final Destination" (aka “Final Destination 4”) has a quality redhead heroine in Shantel VanSanten. The director wisely showcases her beauty in a tasteful scene, which none of the previous movies managed to accomplish. Haley Webb and Krista Allen are also on hand in the feminine department. The previous film arguably has the best assortment of women in the series. While it’s true that you know exactly how this film plays out if you've seen the first three installments, or any of them, there are some highlights beyond the females. For one, this movie has the best music yet, whether score or soundtrack. The opening tragedy is thrilling as usual and there are several creative death or near-death scenes involving a tow truck, a pool, a car wash, a cinema and an escalator. The film runs 93 minutes and is the only installment that wasn’t filmed in the Vancouver area. The entire movie was shot in the East as follows: The speedway sequences were filmed in Mobile, Alabama; the closing mall scenes in McKinley, Pennsylvania; other scenes & studio work in New Orleans/Harahan, Louisiana; and reshoots in Orlando, Florida. GRADE: B-
This movie has a sweet into too. A race car disaster like no other. Bet that would look sweet in 3D.
Final Destination 4 (or The Final Destination) is exactly what you’d expect, same setup, same formula, but with a heavy focus on 3D effects. The plot is as basic as it gets, just an excuse to showcase over-the-top death sequences. The directing feels uninspired, and while the cinematography makes the most out of the 3D gimmick, it doesn’t do much beyond that. The acting is forgettable, with characters that feel like placeholders rather than actual people. The script is weak, filled with stiff dialogue and little attempt at making you care about anything beyond the next death scene. The sound design is decent, especially during the kills, but the score is generic and does nothing to elevate the tension. If you’re in it purely for the ridiculous deaths and don’t expect anything more, it’s watchable, but definitely the weakest in the series
'The Final Destination' - because apparently 'Final Destination 4' was taken?! - is the weakest of opening four entries from this franchise. That's a shame because I liked seeing Bobby Campo as a lead, but I'm not sure he and his co-stars were enough for this one. For the first time in this series, I'm disappointed with some of the effects - those computer-generated bits for the premonitions have aged badly. The proper gory stuff remains suitably good, if less effective. Aside from the cast and effects, the premise stays largely unchanged and it's dull as. My money's on 'Final Destination 5' (at least they titled it logically) disappointing me, but I'm hoping to be proven wrong.
Two decades after surviving a massacre on October 31, 1978, former baby sitter Laurie Strode finds herself hunted by persistent knife-wielder Michael Myers. Laurie now lives in Northern California under an assumed name, where she works as the headmistress of a private school. But it's not far enough to escape Myers, who soon discovers her whereabouts. As Halloween descends upon Laurie's peaceful community, a feeling of dread weighs upon her - with good reason.
In a small English village everyone suddenly falls unconscious. When they awake every woman of child bearing age is pregnant. The resulting children have the same strange blond hair, eyes and a strong connection to each other.
A mother and daughter rent a house for a getaway after suffering a sudden and tragic loss, little do they know the house is run by a secret cult.
Once again tampering with mother nature to disastrous results, Dr. Herbert West continues his research while serving time in a maximum security prison for his previous exploits. West's limited prison-cell experiments are suddenly interrupted by the arrival of a new prison doctor and the brother of the girl who suffered from West's experiments 13 years earlier.
Reality programmers at DangerTainment select a group of thrill-seeking teenagers to spend one night in the childhood home of serial killer Michael Myers. Their planned live broadcast turns deadly when Michael decides to crash the party.
In the year 2455, Old Earth is now a contaminated planet abandoned for centuries - a brown world of violent storms, toxic landmasses and poisonous seas. Yet humans have returned to the deadly place that they once fled, not to live, but to research the ancient, rusting artifacts of the long-gone civilizations. But it's not the harmful environment that could prove fatal to the intrepid, young explorers who have just landed on Old Earth. For them, it's Friday the 13th, and Jason lives!
Juvenile delinquents are sent to a small British island after a fellow prisoner's death, where they must fight for survival.
Young adults become fascinated by the events of the three missing filmmakers in Maryland, so they decide to go into the same woods and find out what really happened.
A group of young adults visit a boarded up campsite named Crystal Lake where they soon encounter the mysterious Jason Voorhees and his deadly intentions.
Scarred for life after a harrowing near-death experience, emotionally fragile mother-to-be Sarah is still struggling to come to terms with her loss. Overcome with silent grief, Sarah now seeks solace in work; however, she is on a collision course with sheer terror when a knock at the door in the dead of night chills her bones to the marrow. Now, the raven-haired, late-night visitor in black wants something precious from Sarah, and will stop at nothing to get it.
Trapped in a damaged cryogenic pod, a man is forced to watch a series of horrific science-fiction tales while his life support systems run out. Featuring eight intense stories of the unknown and other-worldly, equally wonderful and terrifying. Visit the GALAXY OF HORRORS, if you dare! Curated from Rue Morgue & Unstable Ground's Little Terrors Festival.