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Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.

A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.

In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

When a sudden plague of blindness devastates a city, a small group of the afflicted band together to triumphantly overcome the horrific conditions of their imposed quarantine.

Richthofen goes off to war like thousands of other men. As fighter pilots, they become cult heroes for the soldiers on the battlefields. Marked by sportsmanlike conduct, technical exactitude and knightly propriety, they have their own code of honour. Before long he begins to understand that his hero status is deceptive. His love for Kate, a nurse, opens his eyes to the brutality of war.

Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainview's motives and intentions, starting a slow-burning feud that threatens both their lives.

Over a century ago, Sagar Mitchell and James Kenyon roamed Britain and Ireland filming the everyday lives of people at work and play. For around 70 years, 800 rolls of nitrate film sat in sealed barrels in the basement of a shop in Blackburn. Miraculously rediscovered by Nigel Garth Gregory and later restored by the BFI, this now ranks as one of the most exciting film discoveries of recent times. Mitchell & Kenyon in Ireland is a unique and vivid record of Ireland at the start of the twentieth century. The collection contains 26 films made in Ireland between May 1901 and December 1902. Much of this material was unseen for over 100 years. The films include street scenes of Dublin, Wexford and Belfast; the Cork International Exhibition, scenic routes from Cork to Blarney Castle and more. They are accompanied by piano and fiddle music and commentary read by Fiona Shaw.

As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.

...The poet returns from exile to his native village of Nar. No matter how or where he returned, the poor mountaineers shared everything with him: bread, cloak, horse. But the sincere joy of meeting your homeland is short-lived. Naro became even poorer than before. The “Aldars” - the princes who carried out justice and reprisals in the villages - are even more rampant.

Depression-era bank robber John Dillinger's charm and audacity endear him to much of America's downtrodden public, but he's also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.