একদিন প্রতিদিন

In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.

Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.

The film depicts the life of Lord Rama from birth to his marriage with Seetha.

While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters, a macho cult de-programmer who confronts Ruth in a remote desert hideaway. But PJ quickly learns that he's met his match in the sexy, intelligent and iron-willed Ruth.

Chronicles Narendra Modi’s life and events leading up to his swearing-in ceremony as the Prime Minister of India in 2014.

Squadron Leader Veer Pratap Singh, a pilot in the Indian Air Force, rescues the stranded Zaara, a woman from Pakistan, following a bus accident, and their lives are forever bound.

A young boy takes interest in piano while his family begins to disintegrate around him after his father loses his job.

A manager of an orphanage in India is sent to Copenhagen, Denmark, where he discovers a life-altering family secret.

A lady has her prim and proper life turned upside down after discovering her husband's affair.

In 1970s Mexico City, two domestic workers help a mother of four while her husband is away for an extended period of time.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.