Extermineitors III: La gran pelea final

In her new comedy special, Malena Pichot stars as Eleonore von Schwarzenberg, an European vampire princess sent to live in a seedy Buenos Aires apartment.

Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.

When a Spanish Jesuit goes into the South American wilderness to build a mission in the hope of converting the Indians of the region, a slave hunter is converted and joins his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors.

By a quiet gas station in rural Buenos Aires, a young kid, Ernesto, confesses to his friend that he wants to be a dancer when he grows up. But in the patriarchal flatlands of Argentina, dancing isn't really an option. After being harassed by drivers by, Ernesto hides in the bathroom where he magically runs into a broken-hearted drag queen, Ruby. Charmingly mischievous, Ruby challenges him to a fateful dance off; one that will ultimately and forever encourage him to follow his dancing dreams.

A broken heart makes Sergio reject the city......A city full of late adolescents, girls that make you cry, drunks worried about matters they couldn´t handle even sober...and songs that say all that they would have wanted to say (if they knew that they needed to say something)

Unites 8 Latin American filmmakers from countries such as Argentina, Brazil, Chile, Cuba, Spain, and Mexico in a single feature to count depict in seven stories some of the most brutal crimes that have happened in these countries.

A man tries to rob a bank and the bank's clerk, a yuppie, pretends the thief has kidnapped him to help him run away. While they're running away, they meet a girl who becomes part of the team.

El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.