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_**Well done 70’s rock lifestyle film, but needs better songs**_ A big time rock star is self-destructing on the lifestyle (Kris Kristofferson) when he inadvertently meets a talented smalltime singer (Barbra Streisand) and becomes her “golden connection” to stardom. Gary Busey is on hand as the former’s manager. "A Star is Born" (1976) is a drama/romance/musical focusing on the 70’s rock star lifestyle, which differentiates it from the two classic versions from 1937 and 1954. It’s similar to the later “The Rose” (1979), but I prefer this one. “Oh, God! You Devil” (1984) is another good comparison, despite the paranormal elements, and I slightly prefer that one. Kris Kristofferson is effective as the stud rock star in the manner of, say, Lindsey Buckingham in the 70s. He’s not the best singer but, then again, Bob Dylan wasn’t either (of course, he’s still alive as of this writing). Meanwhile Barbra never looked better, especially in her white Superman outfit in the desert. She’s a great singer, but none of the songs in the movie stir me much. At least Cher had great songs in the 70s, not to mention Fleetwood Mac. That’s what this movie needs, better songs, especially since so much time is devoted to Barbra performing. At the same time, the songs are certainly serviceable. The best part of the movie, for me, is the dynamic opening act. It then bogs down with the love story, but I appreciated the unexpected desert sequences. The ending is, um, I can’t give it away. The film runs 2 hours, 19 minutes, and was shot in Arizona and Warner Brothers Studios, Burbank, California. GRADE: B-/B
If you are a fan of Barbra Streisand then you will enjoy this third iteration of the classic rags-to-riches story. In this version, Kris Kristofferson is the coke-fuelled rock star whose career seems to be very much on the wain after a series of bad reviews and bad behaviour... One night he stumbles across a small bar where a band "the Oreos" are playing. He effectively trashes their set much to the chagrin of Streisand. He does, however, rate her voice and after a wobbly start sets her on the road to stardom. What sets this apart from the earlier films is that there is much more music - and the soundtrack that produced "Evergreen" and "Lost Inside of You"; whilst not quite "The Man that Got Away" provides an amiable substitute for some pretty run-of-the-mill dialogue. As updated versions go, it's probably better to listen to than watch. A great finale number too...
In 1949, composer Roman Strauss is executed for the murder of his wife. In 1990s Los Angeles, a detective comes across a mute amnesiac woman who is somehow linked to the Strauss murder.
The purportedly true story of a 23-year-old otaku (Japanese geek) who intervened when a drunk man was harassing a woman on a train. The otaku ultimately started dating with her and chronicled his event and his dates with the woman (who became known as "Hermès") on the Japanese mega-BBS 2channel.
Forty-year-old Andreas arrives in a strange city with no memory of how he got there. He is presented with a job, an apartment - even a wife. But before long, Andreas notices that something is wrong. Andreas makes an attempt to escape the city, but he discovers there's no way out. Andreas meets Hugo, who has found a crack in a wall in his cellar. Beautiful music streams out from the crack. Maybe it leads to "the other side"? A new plan for escape is hatched.
Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start. Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.
A small-town girl wins a date with a Hollywood star through a contest. When the date goes better than expected, a love triangle forms between the girl, the celebrity, and the girl's best friend.
When actress Sarah Marshall dumps aspiring musician Peter Bretter for rock star Aldous Snow, Peter's world comes crashing down. His best friend Brian suggests that Peter should get away from everything and to fly off to Hawaii to escape all his problems. After arriving in Hawaii and meeting the beautiful receptionist Rachel Jansen, Peter is shocked to see not only Aldous in Hawaii, but also Sarah.
In this sequel to "Freshman Year (2019)", CJ and Marcella struggle to protect their relationship against the rising tide of pressure from family, faith, and friends when a devastating discovery upends their lives.
Mika works as a nurse by day; by night she entertains covetous men at a girls' bar. Shinji is blind in one eye and ekes out a living as a construction worker. Young and grown-up at the same time, they both lead a lonely existence, but somehow their paths keep miraculously crossing under the Tokyo sky.
As a small-town girl catapults from underground video sensation to global superstar, she and her three sisters begin a one-in-a-million journey of discovering that some talents are too special to keep hidden. Four aspiring musicians will take the world by storm when they see that the key to creating your own destiny lies in finding your own voice.
A wannabe rock star who fronts a Pennsylvania-based tribute band is devastated when his bandmates kick him out of the group he founded. Things begin to look up for Izzy when he is asked to join Steel Dragon, the heavy metal rockers he had been imitating for so long. This film is loosely based on the true story of the band Judas Priest.
Liza falls in love with one of her father's employees. Her socialistic ideas about employment drive her to collide with her father and the sociopolitical status of the time.