War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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The House Was Not Hungry Then 2025 - Movies (Mar 27th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
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Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
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The Kelly Clarkson Show - (Mar 29th)
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Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
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The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
This is a superb vehicle for a very much on-form Giulietta Masina in the title role. She is a lady of the night whom we see, right at the start, being shoved into the river by her robber boyfriend and left to drown. Rescued thanks to an alert local urchin and a few locals. she is shaken but largely undeterred! From now on, we follow her on her continuing escapades as she defiantly refuses to give up on love. She thinks she has lucked out with a champagne and caviar film actor, but is soon further disillusioned and it is only a chance encounter with the rather unassuming "D'Onofrio" (François Périer) who had admired her on stage one evening, that things might - just might - offer our wandering spirit that which her heart desires most. Fellini uses the still largely war-torn streets of Rome as an effective backdrop to this most human of stories, and the writing allows Miss Masina to deliver her quick-fire, frequently comical (and always unerringly optimistic) dialogue expertly. She is very much in her element as the story develops. There is an air of cynicism to the whole thing, but somehow her character manages to punch through it - and that's what made this entertaining for me. It could have been just a procedural and predictable drama, but it isn't. There are no certainties with the plot. Indeed, the only certainty is that she is never going to give up! The supporting cast deliver really effectively - either as characters with a direct bearing on her life ("Wanda" (Franca Marzi) for example) or as a means for the audience to recalibrate and come up for air for a moment or two. It's an emotional film, but not a sentimental one - and I really enjoyed it
Gulabi is a transwoman groomed by her patriarchal father to join the military. When her father disowns her, Gulabi ends up living a life of prostitution in Kathmandu.
Roland Dane finally retires to the house he was brought up in. Lost in thoughts of his lost love Lark, he does not want to be disturbed in his last days. However, the appearance of his niece and her subsequent romance with Lark's nephew causes him to reevaluate his life and offer some advice so the young couple doesn't make the same mistake he did, all those years ago.
A young man decides one day to start killing yakuza. After he kills his first two he gets roped into helping a wannabe gangster and his bumbling underlings to perform a hit. While things work out in the beginning, this young psychopath quickly becomes more trouble than the gang expected. Will they be able to rid themselves of him, or will they be his next victims?
This film follows the daily lives of a group of people barely scraping by in a slum on the outskirts of Tokyo. Yet as desperate as their circumstances are, each of them—the homeless father and son envisioning their dream house; the young woman abused by her uncle; the boy who imagines himself a trolley conductor—finds reasons to carry on.
Alberto Robles, a young doctor, is faced with the decision to surrender to a life full of comforts and luxuries or to continue dedicating himself body and soul to serving those who need it most.
Sensuous and desirable, Carol Forrest has always attracted the attention of men. Expert in the art of manipulation and control she married an older man, loving only his vast wealth and continued to amuse herself with indiscreet affairs. But when neighbour Mark Kendrick lets slip that her husband intends cutting her out of his will Carol concentrates all her attentions on the unsuspecting Kendrick, obtaining his help to dispose of this irritating obstacle.
Early summer, Keiichi had just moved to a remote mountain village. As he becomes close friends with a group of girls, he was enjoying his life in the village. However when he starts to become suspicious that his friends may be deeply involved in successive murders that occur every summer, the situation around Keiichi gradually starts to turn into something more sinister.
This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.
Oscar François de Jarjayes was born female, but her father insisted she be raised as a boy as he had no sons. She becomes the captain of the guards at Versailles under King Louis XVI and Marie Antonette. Her privileged, noble life comes under fire as she discovers the hard life of the poor people of France. She is caught up in the French Revolution, and must choose between her loyalty and love.
A lurid, dark look into the lives of sex workers, where victims of child abuse deal with the consequences later in life.
Based on an actual post-war murder in Frankfurt, this standard docudrama by Rudolf Jugert is a serious treatment of the story as compared to the earlier, satirical film The Girl Rosemarie. The history of the case of Rosemarie, a hooker, and how she came to be strangled in her apartment is not completely clear. One of the suspects in the case was first charged, later acquitted, but never really free of an aura of culpability. British actress Belinda Lee plays the title role with her voice dubbed over in German.