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Uppercut 2025 - Movies (Mar 2nd)
I Want to Violently Crash into the Windshield of Love 2024 - Movies (Mar 2nd)
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A Quiet Place Day One 2024 - Movies (Oct 2nd)
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Den of Thieves 2 Pantera 2025 - Movies (Feb 28th)
Marked Men Rule + Shaw 2025 - Movies (Feb 28th)
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Raduaa Returns 2024 - Movies (Feb 28th)
Cold Wallet 2024 - Movies (Feb 28th)
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Gladiator II 2024 - Movies (Feb 28th)
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Captain America Brave New World 2025 - Movies (Feb 27th)
Kraven the Hunter 2024 - Movies (Feb 27th)
Australian Survivor - (Mar 3rd)
60 Minutes - (Mar 3rd)
90 Day Fiance- Pillow Talk - (Mar 3rd)
Signs of a Psychopath - (Mar 3rd)
Watson - (Mar 3rd)
Suits LA - (Mar 3rd)
Evil Lives Here - (Mar 3rd)
90 Day Fiance - (Mar 3rd)
Krapopolis - (Mar 3rd)
The Great North - (Mar 3rd)
Grosse Pointe Garden Society - (Mar 3rd)
Family Guy - (Mar 3rd)
The White Lotus - (Mar 3rd)
Tracker - (Mar 3rd)
Grimsburg - (Mar 3rd)
Home Town - (Mar 3rd)
Tournament of Champions - (Mar 3rd)
Snapped- Killer Couples - (Mar 3rd)
The Equalizer - (Mar 3rd)
Deadline- White House - (Mar 3rd)
Pratfalls and smut a go go. Come the 1970s we British really began to love our smut, it was a constitutional right to enjoy bawdy humour. Of course the quality was rarely above average, where the "Carry On" franchise would plunge the bawdy depths to try and get its laughs, and the "Confessions Of" series was never really any good to begin with anyway, but as long as they had people like Robin Askwith larking about amongst boobs, buttocks and innuendo unbound, then it was often enough for Brit cinema goers of a certain age. On the Buses was a hugely popular TV series in the UK that ran for 7 series from 1969 to 1973. As was the case with many British situation comedies in the 70s, big screen outings would follow for the On the Buses crowd, three of them in fact, of which Holiday on the Buses was the last, and for many it was mercifully the death knell for such ventures. It's a tired looking film when viewed now, the makers straining every sinew to keep the bawdy formula working, with much loved characters thrust into ever stupid situations to try and get laughs. Yet for fans of the series there is still some rewards to be found, but for interested outsiders looking in it's unlikely to generate more than a smile on the comedy scale. It's hard to believe now that the likes of Stan Harper (Reg Varney) and Jack Harper (Bob Grant) could ever be seen as good looking enough to womanise and get sex on tap! But that's exactly what 1970s audiences were asked to buy into. Just because there's snow on the roof doesn't mean the fire has gone out down below. So here Stan the bus driver and Jack the conductor are now working at a Pontins Holiday Camp (how 70s British is that?!) and they basically try and get laid at every opportunity. As does Stan's sexually frustrated sister, Olive (played by the wonderful Anna Karen), only she just wants a bit from her husband Arthur! (Michael Robbins). Even widowed Ma Butler (Doris Hare) is up for a bit of the other, courtesy of the king of dirty old men, Wilfrid Brambell. Naturally nemesis Inspector Cyril 'Blakey' Blake (Stephen Lewis) is on hand to provide the roguish lads with some japery opportunities, with the Hitler lookalike even getting a love interest himself here in the form of the holiday camp Nurse played by Kate Williams. There's some good moments such as a swimming pool sequence of events, or Arthur Mullard attempting to dance (you have to know the actor to understand how funny that can be), while even Brambell doing his normal pervy routine is fun enough at times, but ultimately it rounds out as a picture for fans only, and even then it asks much of us to forgive it its lazy sins. 5/10
The last film to come from the 'On the Buses' television series, the weakest one at that. 'Holiday on the Buses' isn't far off the preceding two spin-offs, but it just felt a bit flat throughout to me. I didn't feel bored by any of it, though also didn't find that much entertainment either. It's just very meh. I am someone who enjoys the actual on the bus shenanigans most, which is somewhat lacking here - and even when they are on a bus, it's a tour one. The sexism remains, to the shock of nobody. Reg Varney, Bob Grant and Stephen Lewis remain enjoyable, especially Lewis. As with the its predecessors, none of the support cast stand out majorly. There are a few amusing moments, but more limp ones to be honest. Most of the jokes felt repeated from the 1971 and 1972 productions. No surprise they ended these films here.
Dr. Clayton Forrester figures he can rule the world if he deadens his subjects' brains by making them endure terrible movies. Exploiting his access to nearby satellite-dwellers Mike Nelson and his robot pals, Crow T. Robot and Tom Servo, Forrester makes them watch "This Island Earth", a cheesy 1950s spaceship film. But when Mike and friends make funny comments throughout the movie and others that follow, Forrester's plan looks increasingly flimsy.
Slacker duo Beavis and Butt-Head wake to discover their TV has been stolen. Their search for a new one takes them on a clueless adventure across America, during which they manage to accidentally become America's most wanted.
Space-faring hero and galactically-renowned stud Flesh Gordon is kidnapped by a group of space cheerleaders hoping to use him to save their planet. A being simply known as Evil Presence has been rendering the men of their world impotent, and the women are desperate for some form of relief. Flesh's girlfriend Ardor, meanwhile, is following behind to try to keep him out of trouble, but soon finds herself kidnapped by Evil Presence's henchman who has plans of his own. Can Flesh get the men of this planet standing tall once again?
FILTHY McNASTIEST goes beyond the previous films and introduces D'artagnan, who proves that the female is indeed the deadliest of the species! She grants Clavell's desire to satisfy his lover in one area where he's coming up "short" with hilariously over-the-top consequences!
A crusty old rancher hires three young women to pose as his daughters. However, the real father of one of the daughters finds out about it, and kidnaps her to hold her for ransom-which the rancher can't pay.
Home with their newly-formed family, happy parents Dan and Jody are haunted by sinister, paranormal activities. Determined to expel the insidious force, they install security cameras and discover their family is being stalked by an evil dead demon.
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
After their first adventure with the Hot Tub Time Machine, Lou and Nick are living very well off their ill-gotten gains, while Jacob still cannot rely on Lou to be a positive role model. When an unknown assailant breaks into Lou's mansion and shoots him, Nick and Jacob take him for another trip in the hot tub. They emerge in the year 2025, where they must figure out who shot Lou and prevent it from happening again.